#that which only time i know has the key to

[ceilidho]

take me home, country road

[ao3]

You have nothing on your person apart from a hastily packed suitcase and the dress you came into town wearing, on the run from trouble back home. Too bad John's missing a bride that matches your description. Or: the 1800s (mistaken) mail order bride au (chapter 19)

masterlist

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A blood-orange sun hangs low in the sky.

You might think it ominous on any other day, but not this one. What more adversity could stand in your way? 

Instead of sharing a saddle with John, you ride the same horse that Graves rode out of town. Days spent on horseback have finally caught up to you, pain radiating up and down your legs, a soreness embedded deep in your inner thighs, the skin positively chafed from the constant friction. At least you no longer have the handcuffs digging painfully into your wrists, the metal cuffs long since unlocked using the key in Graves’ pocket and discarded, now lost some acres back for the coyotes and the hares to prod at and sniff. 

You drift in and out of conscious awareness, coming back into your right mind every mile or so, losing track of time along the way. Sometimes you blink and trees disappear out of sight, already ten miles back. Scouring the landscape for something familiar only to come up empty. 

Recent events lour over your conscience. It’s difficult not to let it get to you. So much has happened in such quick succession that part of you still thinks you’re dreaming in the abandoned shack with Graves sleeping just a few feet away. 

A distinct sound scrapes against the inner recesses of your mind and eardrum. If you were to look behind you, you’d find the source of it wrapped in a shroud and dragged behind John’s horse. Drying blood stains the fabric. The head, obscured under the fabric, jostles from side to side as it passes over rocks and undergrowth. 

It’s beyond you now though, the future shuttling forward at an unfathomable speed and taking you with it, willing or not. The world hurrying on to repeat its past mistakes. 

So you don’t look behind you. 

“Won’t be much longer,” your husband murmurs from beside you, speaking just loud enough for you to hear him over the influx of thoughts in your head, which rapidly empty out at the sound of his voice. 

“We can stop for a break after?” you ask, turning your head enough for your eyes to land on the hard, bristled line of his jaw. He nods. 

“Just gotta get this part out of the way.”

He says it so casually, like a bit of unpleasantness that has to be dealt with; no way around it. Unfortunately, a body isn’t something that can be just swept under the rug. No matter how much your muscles beg for a moment’s reprieve, you won’t get it until all the loose ends are tied up. 

“How do you know the land around here so well?” you ask as John leads the two of you deeper into the plains.

“The boys and I have been out here before. Grew up in this county anyway; been wanderin’ these parts since I was born.”

You can’t imagine John as a young boy, uncertain of his place in the world. He seems like someone who emerged from the womb ready-made, already able to skin a deer and build a bushcraft shelter by hand. But he must have been young at one point. 

Finally, he comes upon a suitable place to bury the body. 

Deep in the wilderness, he digs a shallow grave with the short shovel strapped to his horse, sweating up a storm before the hole is big enough to bury the body. You dismount your horse and wander off while John handles the burial. 

This is the part where you have to turn away and pretend it isn’t happening. You stave off the urge to plug your ears and close your eyes. Dogear any page in your life except this one. This is the only memory that you want to fade into obscurity, pretend that it never happened, that this was some bad dream that you only half-remember twenty years from now. 

You glance back only once to find John breathing heavily at the edge of the hole, having just hauled himself out. Sweat slicks his brow and drips down the side of his face near his temple, a dark flush spreading over his cheeks from exertion. Even his shirt is damp with sweat under the pits and around the collar. 

You force yourself to look away. Now is not the time for your libido to trouble you. 

Graves’ body lands with a dull thump when John rolls it into the makeshift grave. You bite your lip and let your eyelids slide shut. Then he starts the process of covering the body, shoveling the dirt back into the hole. It takes a while. An offer to help hovers on the tip of your tongue, but you can’t quite make yourself say the words. 

A half hour later, it no longer matters, the hole covered until the only thing demarcating the grave is the layer of upturned soil, slightly darker than the dirt in the surrounding area.

“That’s it,” John announces, making his way back to you with the shovel slung over his shoulder. You can smell the ripe scent of sweat wafting off him even from a foot away. “Let’s head out; we’ll wanna make camp before it gets dark.”

You don’t answer. Not verbally anyway. The guilt almost makes it hard to breathe. In all your stupidity and poor decision-making, you’ve inadvertently made John an accomplice in your crimes; forced him, in fact, to commit one as heinous as the one that had started this whole debacle. 

You travel the next mile in relative silence, scouring the landscape for a neat patch of land to set up camp. The sun plummets towards the ground at a faster and faster pace until it’s tugged below the horizon, vanishing with a green flash. Then it’s too dangerous to keep going, the way back far too dark to keep traveling down. 

John builds a small fire after tying up the horses for the night. The temperature drops exponentially as the sky darkens, the cold sinking low to the ground. You help with gathering the kindling, mostly twigs and clumps of dry grass, then take the packs off both horses to use as makeshift seats by the fire, unrolling the sleeping bags as well. 

It comes as a relief to finally sit down after the fire is struck. Rest is a double edged sword though; the longer you sit with Graves’ old pack propping you up, the more the pain has time to sink its claws in deep. 

In the hours since he shot Graves, neither of you have spoken more than a few words to each other. You certainly haven’t brought it up. The memory of Graves revealing the truth of what you’d done back east to John looms over you. It’s inevitable that you’ll talk about it eventually though. It’s heavy in the atmosphere, almost oppressive; the weight of everything said and unsaid. You can’t take back what Graves revealed to John. At some point you’ll have to face it. 

At what point will you have to beg for forgiveness? It sits on the tip of your tongue. 

The small fire crackles in front of you. Red tongues of flames lick at the darkness, the light extending out in a circle around the two of you. You’re grateful for the warmth though, particularly after spending the previous night in the cold.  

“Nothing to eat, m’afraid,” he says apologetically, brow creasing. “I didn’t exactly pack before coming after you.”

You shake your head. “That’s fine. I’m not hungry anyway.”

In a few more hours, you might work up an appetite again, but for now, you couldn’t be further from it. All you want to do is lie down on your bed back home and sleep through to the next day. 

“Yeah,” John sighs. “Me neither.”

He picks up your hand and holds it in his for a time. It’s strange how such a small gesture has become such an immense comfort for you. You wish you could thread your fingers through his and bring his hand up to your lips to kiss all over, but you’re too tired for a gesture of that magnitude. 

When he lets go of your hand, it’s only to transfer it to your face. His thumb runs over your split lip, pulling away when you wince. “Looks like it’s healing on its own.”

“That’s good,” you mumble. “…It hurt a lot more yesterday.”

John’s nostrils flare. The fire reflects off his eyes in such a way that, for a moment, it almost looks like it’s coming from within him. “I’d kill him again if I could.”

Your stomach clenches at the ferocity behind his words. 

“You—you shouldn’t have done it in the first place,” you croak. “Not when he was—” right, you don’t say. Right to haul you out of town by your hair and drag you back to the scene of the crime, back to pay for what you’d done. 

“Now I ain’t gonna hear you go spoutin’ that horseshit,” he growls, clasping you by the back of your neck and tugging you to his side. It’s so sudden that your butt skids across the ground, raking up a small mound of dirt with the weight of your body.

You look away, unable to meet his eyes even as he pulls you forward until you’re nearly nose to nose. “It’s not—”

“Yes, it is, darlin’. That shit weren’t none of your fault. You ain’t done a thing wrong by keeping yourself safe.” 

It’s almost hard to hear. It’s taken you months to scrub the dirt from your soul, which until recently was raw to the touch and pained you to even think back on. And the hopelessness. And the longing, the irreversibility of it; irreversible in the way that you couldn’t turn your pain inside out. You could never go back to the way things were because the only way out was to keep on trudging forward. 

Like rain in a drought, you’ve been missing someone’s mercy. You’ve been waiting for someone to come and forgive you for your sins; someone to absolve you of them. 

You lean forward, burying your face in his neck. Not making much of a sound except for a harsh exhale, your throat quavering with something unsaid. 

Then you grip him by the back of his shirt and pull him to the ground with you. 

Out in the open like this, John doesn’t dare remove your clothes, but he does reach beneath your dress to pull off your underclothes. He’s silent through it all, eyes fixed on yours. Never wavering or dropping your gaze. It’s intoxicating to be stared at with such a fierce intensity. Vaguely overwhelming, the sensation creeping up your chest and lodging in your throat. 

The light of the fire he built for the two of you flickers across his skin, illuminating his face in shades of orange and gold. 

He holds your gaze when he rucks the skirt of your dress up and crawls down the length of your body until his mouth is level with your center, slick already dripping from your sex. Your breathing goes haggard, anticipating his mouth before it’s suddenly there between your thighs, planting a gentle kiss on your inner thigh before dragging his lips over your sensitive skin until they brush your clit. Your mouth opens to a soundless gasp. Electrical impulses travel up your spine, your arching back following their trajectory. 

He pulls back to stare at your dripping hole. “Missed me, my love?” 

You’d answer if you could form words, but then you realize who he’s talking to and your mind goes blank. 

When he runs his tongue up the seam of your pussy, you jolt, legs slung over his shoulders kicking at the air. He eats you out with gusto, with reverence, sighing into your pussy that it’s been too long, that he’d worried himself nearly half to death over you. 

Rough hands hold you by your waist and pull you down onto his face. Long, crude licks of his tongue, rubbing the flat of it over your clit until you’re a roiling, twisting hotbed of pent up arousal. 

The urge to suppress your noises is almost overwhelming. When you twist your head from side to side, there’s nothing but miles of land; trees and shrubbery and a deep, impenetrable darkness. Not another person around for miles. It makes you shiver when you stare out into it. 

“I can’t, I can’t, I can’t—” you gasp, chest getting tighter and tighter until you expect it to burst but it doesn’t. It stays all pent up, all itchy and scratchy and you can feel the sweat slicking the small of your back and the blood furiously rushing to your cheeks, heating you up from the inside out. Sweat-laden and flustered. 

Your toes curl in your boots, throat tightening up the closer it gets. All it takes to push you over the edge is John cupping his hands under your butt to tilt your hips up, licking you from hole to hole. The impertinence and thrill sends a rush through your body, the coil in your belly twisting and releasing, core pulsing around nothing. Your body gives a violent jolt when he gives your clit one last wet, suckling kiss.

“Are you comfortable like this, darlin’, or should I wait until we���re home?” John asks when he positions himself over you again, beard still wet with your desire and a big hand cupping the front of his trousers. You stare down at the hair dusting his knuckles and the bulge straining against his pants. 

The shadows make it seem even larger than usual. Your throat goes dry the longer you stare down at where he fists his length through his trousers.

“Darlin’?” he repeats, drawing your attention back up to his face.

“Oh?” you ask, cheeks heating. “I’m, um…I’m quite comfortable.”

It seems absurd to have such a conversation when your husband’s hand is reaching into his trousers to pull out his cock and fuck you with it, but the nervous tickle in your belly is far from unpleasant. 

He’s so careful with you, cognizant that your muscles are already sore and aching from days of being on the road and the abuse Graves put you through. Gentle hands maneuver your legs around his hips and move your hair from your face. Again your belly flips. 

Your grunt is involuntary when he first pushes in, walls stretching around the head of his cock. It hasn’t been long enough for the blunt intrusion to be painful, but it’s overwhelming all the same. You wince and grimace through it all. 

“Easy does it. You’re alright,” John shushes when you whimper, rough hand cupping your cheek. It sends a thrill down your spine, but doesn’t lessen the intensity. 

He stays like that for a time, hovering over you and stroking a thumb over your cheekbone until you relax around his girth, gradually finding your breath again. In and out; one after the other. When he pulls his hand away, it’s to plant his forearms on the ground beside your head and grind his hips forward, taking your breath away. 

“Oh Lord,” you wheeze, then brace your hands around his neck. 

“You’re doing great, darlin’. Just hold on; I’ve got ya.”

It’s nothing like the times before; your arms link around his neck and your breath goes shallow, hitching with every measured thrust. It’s too much and not enough. You feel windswept and battered, bruises smarting now that you’ve had time to feel them, but still you need more from him. 

He works himself into the wet flex of your pussy with slow, heavy thrusts. Taking his time. Not rushing it just yet because though the threat of you being taken from him still looms over his head, he’s sated his bloodlust. His reassurance now comes in the form of your legs spread to receive him and the fat head of his cock fitting snugly in you. 

The heels of your boots press firm against the flesh above his buttocks. Taking him this way with your clothes still on feels debaucherous, filthier than usual; like you were so desperate to have your husband inside you, that you couldn’t even be bothered to remove your garments. 

He must feel the way that thought heats you up because he rasps, “Need a lil somethin’, love?” 

Before you can even answer, he’s reached a hand down and tucked it between your thighs to strum the tight bundle of nerves at the apex of your sex. 

“John—”

Your fingernails must dig into the back of his neck because he grunts. Serves him right, you think, digging your nails in all the harder when grinds a knuckle against your clit and you briefly see stars. 

You’re splintering down to the root, coming apart in his hands like clay; when he says your name, the darkness fades and for a moment, you’re in the light, a shaft of it haloing your face. Chasing it no matter how fast it runs. A hare in a snare, a shadow captured in the palm of your hand. 

It comes fluttering down from somewhere beyond sight. Gasped out in another voice, a truer voice. From the depths of you, true as stone and air. 

“I love you.”

Give it time and it’ll come naturally. Now, it comes as a gut punch. Even John stills over you when he hears the words, and you can feel the shudder that runs through him under your fingertips. There’s no time to sit and talk about it though, not with the frenzy that comes over him, blue eyes glazed over by a manic glint. 

He braces one hand on the top of your head and surges forward, so rough with you that your teeth clack together, eyes rolling back in your head. 

“Say it again,” John growls, leaning down until his mouth is right next to your ear. 

“I love you, I love you, I love you, I love you, I love you—”

Then it hits you. A wall of heat. Your belly rolling and cheeks burning, walls squeezing around John’s cock, tighter with every thrust. You yelp when he lifts himself off you to yank the skirt of your dress up higher and presses his hands to your inner thighs, spreading your legs wider for him. Bullies his cock into your channel even as you try to squeeze him out, pounding into you until the lurid torrent of words spilling out of his mouth go slurred and his release floods into you, his hips slapping against yours until he’s emptied the last of his spend into your womb. 

It’s a while before either of you can move after that. Your energy melts into the ground like rainwater, purifying the earth. Maybe life is already germinating beneath you, grass seedlings about to burst from the dirt, flower buds curled up in tight coils until they’re ready to bloom. 

Your hands shake when you lift one up to wipe the sweat from your face. 

When he finally pulls out of you, the feeling of his come leaking down your inner thighs makes you fussy. You lift your thighs just enough to let him pull your drawers back up before lying back down, no energy left in you to do more than that. You only scrunch your nose a little at the feeling of your combined juices already wetting the gusset.

Time seems to come apart and then piece back together. You roll over onto your side and nestle up against John’s chest, staring up at him wordlessly. His eyes stay shut for some time until he feels your stare on him and they peel open, the color of his irises barely discernible in the flickering light. 

“Somethin’ on your mind?” he asks in a tone so devoid of accusation or condemnation that you’re almost thrown by it. He says it like it’s just another day, like something horrible and monumental didn’t just happen. 

It takes you a while to find the words. Even when you do, they come out jumbled and disjointed. “How long have you…—when did you find out?”

“‘Bout what happened back East?” he clarifies, blunt as usual. 

The question makes you swallow impulsively, anxiety secreting from you again. “Yes.”

John looks up into the dark sky, quiet for a spell. “Not until recently. The arrest warrant drifted across my desk probably around the time Graves first stopped by. Wasn’t hard to put two and two together after that—you showing up in a tizzy around the same time as the warrant was issued. General description matched as well.”

You feel a bit foolish in retrospect, certain that you were getting away with it all this time. 

“You know my name.”

“I do.”

“My real name.”

“In a manner of speaking. Got yourself a new last name since then though, didn’t you?”

Your lips pull up at the corners involuntarily. “Yes. I guess so.”

You can almost hear it now. The penultimate note of the overture writhing against convalescence like you might stay this way for a second longer. But it isn’t right to keep feeling the same old pain. At some point, it has to heal. 

“Hey,” John says, giving your shoulder a little shake to draw your attention back to him. The look in his eyes is serious. “This is as far as the story goes, alright?”

You stare up at him silently until you nod against his chest. 

“You’re my wife. End of story. The rest ain’t anyone’s business but ours.”

Off in the distance, an owl hoots, and its call hits your ear as a distant evocation to sleep. You press one last kiss to his chest before rolling off him, letting him put the fire out before the two of you turn in for the night, and then drawing a blanket over the both of you. 

And then, you go to sleep.

[quantomeno]

I've been following this matter for a while now (a quick search of newspaper articles showed it's been floated since mid last year, and I remember having to use my passport to verify my age on my gmail (it's not the account I use for tumblr, the account has my name in the address, so it's already pretty clearly me, so I was begrudgingly okay with it but am still annoyed my other account now can't watch age restricted youtube videos unless I tie it to my identity)). It's a vexed issue.

The first thing I'd like to point out is that the person quoted in the above post ("I am 100 percent etc") is Keith Pitt, a member of the Nationals who was resources and water minister under Morrison. I feel this is important because while he'd definitely be someone who'd vote in support of the measure, he's not a member of the party in power, let alone a Cabinet minister. His opinion is not necessarily that of the Prime Minister ― Anthony Albanese ― and it makes it seem like what he's talking about is what the government is planning to do.

What is the PM actually saying they'll do?

To be honest, I don't think the government knows yet. From what I can gather, there has been no suggestion by the PM that they would force people's accounts to have their real names. The Age a few days ago reported this:

"Australia’s eSafety commissioner has instead recommended a “double-blind tokenised approach”, whereby information would be provided to a verifying third party that would certify the user’s age to social media platforms without revealing details about the child. The details of the plan are being worked through by a trial of age-verification technologies."

(the "instead" is in reference to the current practice of social media platforms asking people if they over 13, which I'm sure most people realise would stop pretty much no child)

In that same article though they also said "the government has not unveiled key details, including the technology that would be used to keep children out". So I think there is quite a bit of time before anything is going to be written into law.

While I don't think your name will be "slapped onto your tumblr account" (if that does end up being what they do I would actually delete my tumblr, I really do not want that), there is still the question of privacy being invaded in that the government would (I think? I'm not a tech expert in the slightest) be able to connect you to your account.

Keep in mind that we are close to an election (there's been whispers it could be May next year), and this is an issue that (as the Keith Pitt quote shows) both of the major parties seem to mostly agree on. A cynical view is that the PM is talking tough to neutralise the issue so it can't be attacked by the opposition for not protecting children. The fact that both are talking about it does however suggest it will eventually come to pass (unlike other complicated legislation that was touted as 'essential' but then got shelved after being too hard to get through (naming no names i.e. Scomo's religious discrimination bill).

The other point to discuss is that while I really do enjoy people not knowing who I am on tumblr (and people in my life not being able to know I'm on tumblr), I also don't really think kids should be on social media (or at least not in the way they currently are). I avoided social media (I only had a facebook account I barely touched) until I was an adult (and even then I waited a while) and I'm quite glad, mostly because I think I'm a lot more mature. On the other hand, while I didn't interact with people, I grew up in a time when you could browse most platforms without an account, so it's not like I wasn't exposed to things on the internet. And then there's a bit of a moral panic about the internet, which can be a bit overblown at times. But then I'll hear a 14 year old I know mentioning stuff that makes me think he's kind of obsessed with growing muscles and I wonder if he's seeing these sorts of things online. I mean, there's a lot of garbage on the internet. But there's a lot of really useful things too... it's complicated and I'm not settled on an opinion yet.

Kids really do need to learn better internet practices and behaviours, but there are also kids in primary school with social media accounts. I mean, what does a 12 year old do in their life that they need the world to see? (don't answer that it's rhetorical, I'm sure there are plenty of 12 year olds doing interesting things worth showing off, but I mean, beyond messaging friends, 12 year olds don't really need to be communicating with strangers on the internet). Note too it's specifically social media (the definition is given by OP but it's anything where the main purpose is share content or talk to a wide audience of people. Things like games with chat stuff are also being looked into.

I'm also a bit of a luddite and think kids should read more. I'm not actually trying to convince people the ban is good, I'm just thinking aloud here. The whole thing feels rather heavy-handed, brute-force, and there's every chance kids will still find ways around it. I don't think this is the ideal solution, but I do feel there is a problem to be addressed.

But yeah, do tell your local member that you are concerned and want to make sure your privacy is kept safe. Just be aware of who your member is and their/their party's stance (all Labor MPs vote with the party, Liberals and Nationals can vote against their own party, so they may not all be in agreement). The Greens are opposed to it. I am not sure what the teal independents think of it.

You may also want to contact some senators from your state, not just your MP.

As for the contents of the letter, maybe something like:

Dear Mr/Ms/Dr (whatever title they use) surname MP,

I am a resident of your electorate (electorate name). (Maybe say a little bit about yourself, just what you think is relevant to the letter or your arguments).

I am writing to you to discuss the proposed social media ban for children. I am concerned (explain what/why you are concerned).

(Try to keep it brief, but also try to be personal)

State what you want your MP to do. Ask them to reply to your letter.

Sincerely,

your name.

You may want to mail the letter rather than just emailing. This page from Oxfam I just looked up five minutes ago has some nice tips.

Hey Aussies, do you want your real name and ID slapped on your tumblr account? If the answer is fuck no, our gov’s got a upcoming legislation for banning 16 year olds and under from social media even WITH parental consent. And by “Social Media”…

The code defines social media as electronic services that meet the following conditions:

The sole or primary purpose of the service is to enable online social interaction between two or more end users

The service allows end users to link to, or interact with, some or all other end users

The service allows end users to post material on the service

Such other conditions (if any) as are set out in the legislative rules.

So. You know. Just the entire fucking internet. They even named youtube as banned, god forbid kids out in the bush get access to LGBTQ+ communities online when they could be watching adds for sportsbet.

I am 100 per cent supportive of eliminating bullying and fake information from online platforms. The easiest way to do that is to be able to utilise existing laws, and the easiest way to do that is to ensure there are no fake accounts. Your digital, online life is your real life. If you want to make comments, that's fine, but it should be as you, as a verified account. This means everyone knows who it is that makes those comments, that you can be found and prosecuted under existing laws, just as you would if you express those opinions in a newspaper, for example, or you went on to a television station and said something similar.

Contact an Aussie senator about this shit. They’re trying to slide it under all the USpol news.

[bubbleddisasters]

I’m bored so DORM SET UP HEADCANONS!

———-

Heartstabyl:

-With the stairs constantly moving, most second and third years have somewhat memorized the patterns, yet never tell the first years.

It’s like a right of passage to figure it out for yourself.

-Similarly to how each of the other dorms has their special little extra area (Ex: Pomfieores Hidden Lab, Savannaclaws Colosseum etc) Heartstabyl has a literal courtroom that goes often unused, but sometimes if Drama or Arguments gets too much, they will have a court session to debate it, or just joke debates.

-Due to it nearly breaching capacity, the third years do not have their own dorms, but share with one other student, of their choice if mutual or random otherwise. Trey and Cater share a room, which has been jokily dubbed the Leprechaun room. (Clover suit with green hair and goldenish eyes + Ginger with soul sucking bright green eyes)

-There is a confiscation room that only Trey and Riddle are SUPPOSED to have access to. Unfortunately for them, Che’nya does exist and can be bribed into robbery with (good) cheese, (good) cheesecake, or cool trinkets as long as the confiscated item isn’t overly dangerous or too illegal.

-Ace and Deuce’s room is known for being the loudest and has received an unorthodox amount of noise complaints.

-Some students make the hedgehogs outfits and little hats.

____________

Savannaclaw:

——

-As it’s literally made of ROCK, there are many incidents and injuries from running into walls or tripping.

-If food goes missing, their is actually war fare and it is taken personally, but Ruggie has managed to escape suspicion for his entire stay so far.

-Not a goddamn vegetable in sight, Jack has a stash of them and is so far one of three students to do so.

-Dumbest dorm in the club with the highest drop out (usually for pursing a sports scholarship at another school) , expulsion and injury rates.

-Due to fights, sports and literal brain damage from being hit in the head with a discus one too many times, the dorm members are often at the nurses office.

-Sometimes gets ABO jokes from (mostly) Ignihyde students, and has literally no clue what they’re talking about unless directly explained. Jack didn’t say anything to the majority of the school for about a week after Ortho explained it to him.

-From what we see in Leonas Room atleast, all the windows are glassless, so some students will straight up jump out the windows or fall through them on the regular.

-There actually IS a vice housewarden, atleast on paper, since it was required, but nobody knows who it is, not even the vice themselves.

Leona picked a student from his dorms name at random, and Crowley never checked in with the student, and has been under the assumption they’re constantly busy or just neglectful thanks to Leona gaslighting.

The only thing he has told Savannaclaw is that he can confirm it’s not Ruggie, since he didn’t know he existed at the time.

-Rook has crawled through Leonas window ATLEAST ONCE to bother him, and after that he put up drapes so he had a better chance of hearing him coming.

___________

Octavinelle:

_____

-ALL the drama and ALL the blackmail. Literally a dorm of Regina George level dramatics. Pomefiore has nothing on them.

-Gaslighting and Manipulation extraordinares

-As Ursula herself is based on a Drag Queen (Divine), I imagine they have Drag Nights at the lounge, and they’re extremely popular.

-Alot of the non-mer students make jokes about drowning if the barrier ever gets removing, and as most of the mers likely blush blue instead of pink/red, usually many first year humans think their literally choking/ can’t breath for a hot sec.

Also alot of strange incidents and firsts for them, like finding out your roommate is bioluminescent.

-24/7 Elevator music in the lounge, so it drives them absolutely INSANE if played around the dorms too.

-The music was never actually turned off during Azuls OB, as Jade, Floyd or Azul himself probably had the key to the audio room, or was already locked into the bluetooth, so everyone was losing their shit whilst spa music was playing in the background. Sort of like that one Markaplier quote:

“If purple guy is the creator, then what does it all mean- CAN WE CUT THE CASUAL BONGOS?!!”

-I KNOW we see the beds aren’t this way from the Octatrios beds but I hate the basic ass design of Octavinelles actual inner dorm, so y’know what? Clamshell and/or Oyster beds that can open and close like the ones Ariel and her sisters have in the movies.

I’m also changing the color scheme because where the fuck dId they get MAJORITY WHITE AHD LIGHT FUCKING LAVENDER FROM?? URSULAS COLORS ARE BLACK, SILVER/PEARL AND PLUM??

So yea fuck you, Plum, Pearl/Silver, Black, Blue and dark teal color schemes with alot of corals, underwater cove and ocean themed furniture.

-If the dorm were to ever run out of transformation potions, things would get wild real quick.

-They have a pool that is basically just an aquarium you can swim in. Floyd was banned for a month once for trying to drown someone. (Jade was infact not only an accomplice, but the one who gave Floyd the idea in the first place, and immediately threw Floyd under the bus when Azul caught them)

-Azul has a secret private pool hidden behind a door wall thing.

-Jade has a Room of Shrooms that is locked off to the general students.

-Many of the students learn serving tricks to get extra tips.

-Will spitefully bring someone who came laters order first if you’re being a pain. Repeatedly if you really earned it.

-A student once brought heelies, and Floyd immediately jumped on the idea. So yes, some students will heelie over to your table for the sake of “convenience”

______

Scarabia:

—-

-Introverts: Welcome to hell.

-As another dorm with open windows, there are some falling issues.

-Jamil does that mom thing where internally he’s like “Nobody helps me in this fucking house” or will passively aggressively say something like “Well if you want to do this more often, maybe you could start helping out.” but when the dorm students actually offer to help 9 times out of 10 he’s like “absolutely not you’ll mess it up.”

-Schemers canonically but both negatively and positively. Like would say the most sweet and positive plans like their planning a mutiny.

-Like that one “If Antinious was actually a sweet guy” remix of Hold Him Down from Epic :

“Haven’t you noticed who’s missing? Don’t you know the prince is not around?

I heard today is Telemachus birthday, and I heard today he comes back to town so-

I say we gather near the beaches, I say we wait til he arrives~

I’ll slip away while you all distract him so I can go PREPARE THE SURPRISES.

Hold him down…While I’m in the kitchen~

Hold Him down…While I start to bake~

Hold him down while we slowly bring his buddies his family and Favorite Cakeeee~

Cut it down….into tiny pieces

For the prince…Serve it Alamode…

When the prince wonders what his gift is…ONLY HIS MOTHER AND I WILL KNOWWWWW”

Yea thats Scarabia student planning core.

-Steal one thing from this dorm and you can probably feed a family of four for a month.

-You can get a medical pass to be exempt from being in the dorm during the day if you’re sensitive to heat.

-Not all the students actually like the parties, but participate in them for the free food regardless.

-Its concerningly easy to lockpick most of the treasuries, but nobody has done it sheerly because they would feel bad if Kalim still forgave them.

-Its common for first years unused to the heat to straight up pass out before even making it to the dorm since from the map, its a concerningly long walk, so they had to install a mini secondary teleporter sheerly to avoid constant heat stroke.

_______

Pomfieore

——

-Smells like a Sephora and Bath and Body Works with a side of Chanel Perfume

-Many of them are very invested in celebrity drama.

-There is what has been nicknamed “The Garden of Death”, which is a small garden in the back of Pomfieore containing many poisonous plants used to create, and this may come as a surprise, poisons.

-Second highest drop out rate, mostly due to struggles with pursuing a budding career in the entertainment and/or artisic industry and balancing school aswell.

Vil usually does try to dissuade them, but unfortunately it is a good point that he was, even if he did his career work on his own, still had the Schronheit name behind him, creating a high bias with many directors and companies, so he already had higher chances then the average budding actor since the start, and I can imagine alot of the students pointing that out if they didn’t have the same.

-Some students, when they think Vil is not looking, will sit on the throne as a joke.

-The amount of makeup and mirrors in this dorm is crazy.

-Epel has, on more than one occasion, jumped out of windows to escape Vil/Rook, so 80% of the common area windows are locked.

-The walls and carpets in the main areas actually have very thin sheets on them to prevent makeup stains.

-As one of the chonkiest dorms, both in length and width, walking around can be hell if you’re in a rush. So many stairs, so little time.

-The Secret Lab has a Emperor’s New Groove like lever system that only the dorm students know which is which, but sometimes mistakes are made.

_____________

Ignihyde:

——

-When I say you can HEAR the electricity moving through the wires EVERYWHERE.

-Actually blinding to walk into at night due to the amount of screens.

-The kitchen is actually souped up and super clean because it’s nearly never used.

-They have Streaming Parties whenever a new season of a well liked anime or show among the students comes out, and on very rare occasions, Vocaloid Raves when a new album comes out.

These are the ONLY parties Idia attends and actually assists in the setup of, so you know it’s absolutely wild. Its a unanimous agreement that nobody is allowed to tell any other dorms about it (Ramshackle excluded)

-Ortho is the world’s nicest hall monitor at night when he’s bored and Idias actually asleep for once, but it can give students whatever the equivalent of FNAF is flashbacks.

-It’s a dorm joke to say “I’m tired, i’m heading home to Hell” or “I’ve got to catch the Ferry to the Underworld, see ya later”

-The projects the students are cooking up in this dorm makes Elon Musk look like a toy maker.

-These motherfuckers are also nocturnal sometimes. The main room is more active at night then during the day.

-They have a constant cat visitor that they’ve yet to realize or find out is Che’nya in a cat form. Trey once noticed Idia walking to a vending machine with a purple and pink cat on his shoulder and simply aggressively sighed.

-The Cat is lowkey pampered, and it actually started when Che’nya was making a getaway and accidentally ran into Ignihyde in his secondary form.

-Least Magic using dorm. Literally that one meme where it’s a few characters using normal weapons and then it’s a character from the same series with a gun. Ignihyde is that character.

The Genya of the NRC dorms.

________

Diasomnia:

——

-Will practically go into nuclear reactor evacuation if Lilia manages to get into the kitchen.

-They have an entire armory of everything but firearms. However there is a bazooka that Lilia donated for comedical reasons.

-Nearly everyone in the dorm despises Sebek for a multitude of reasons. It’s unfortunate but by god is it true. He is mostly unaware of this and the fact they were near ready to throw a party when he started hanging around Ramshackle more.

However, The only thing keeping Sebek from being literally mass jumped is the fact they don’t want to risk pissing off Lilia or Malleus and thats about it.

-Very Pointy furniture. Everything is VERY POINTY. Poke at your own risk.

-When leaving their room at night, their constantly on guard because of Lilias jumpscaring streak.

-The bridge is the worst thing ever if you have a fear of heights as it’s extremely cracky and thin.

-Some students genuinely think Silver is dead when they find him in random spots asleep.

-Lilia can turn into a bat and you cannot convince me otherwise, therefore alot of the students will eye bats on the ceiling with suspicion trying to see if A: Lilias among them. Or B: If they’ll snitch to Lilia if they’re doing something they shouldn’t.

-Sometimes they’ll polish the gargoyles and grotesques for Malleus.

_____

Ramshackle:

_______

-Yuu/MC has a string of Polaroid photos taken with the Ghost Camera in their room.

-Creakiest couch known to man, and everything within the dorm has some scorch or scratch marks from Grim Zoomies.

-The ghosts become cool Great Uncles, and Knit like crazy during october, since they can’t really touch things afterwards, so MC ends up with a pile of blankets, sweaters, scarves, hats and more.

-They also tell MC the tea with the other school ghosts.

-Skully actually haunts Ramshackle, but the secret area below it, which used to be the main dorm, but nobody dares go into the basement, so nobody really knows about it anymore. If MC were to find it, he would be BEYOND thrilled.

-Everytime a new idiot is initiated into the first year squad, they usually end up with their own “room”, since Ramshackle has way too many empty ones anyway.

-Originally Ace and Deuce just shared one since most of the rooms were broken down and they weren’t taking chances, plus there was only one next to MC and it would feel weird if they were an entire dorm apart.

-This came in useful during Book 5 because alot of their stuff was already kinda just…there anyway.

-Jack just uses his room for Cacti. Thats really it, since the last time he tried to store weights in there, it didn’t end well.

-Epels is excess Apple Storage and a Vil-Free Safe zone, which is often raided by the rest but mostly Grim since Apples.

-Orthos is just a charging port and some movies and games. It does look very strange compared to the rest with all the near SCI-FI theme going on.

-Sebeks is just more of a reading and training room now then anything else, and there are swords in there that Yuu/MC is permitted to use for self defense.

But it used to be, for awhile, jokily named the Room of Shame, because Ace consistently managed to trick him into going in and would lock the door when he made one too many human discriminative comments and wasn’t allowed out until he apologized.

-Ramshackles outer doors and windows actually use a super old enchanted lock with only 5 keys in existence (Yuu’s and the 4 extra you can give in the guest room) , so its unable to lockpick, to Rooks dismay, he’s banished to only looking through the windows

-Unfortunately, Ace did get his grubby little hands on one of the key’s at some point, so he is a constant B&Er of Ramshackle (truly best friend core) and often drags Deuce with him.

-Ramshackle has a themed mess of items, as many are gifts from the other dorms, a Kettle from Ramshackle, Rug from Savannaclaw, “Accidentally over ordered extras” of chairs and a table from Octavinelle, Silks and Culinary equipment from Scarabia, etc etc.

-Sebek did fall through the floor once because he was stomping around like he was kinda used to in Diasomnia, and overestimated the durability of Ramshackles Floors.

-This happened multiple times to Floyd aswell during their occupation of Ramshackle in Book 3.

-A ton of random trinkets from Malleus exist within the dorm, some found, some not.

-Lilia will sometimes follow Malleus and MC on their midnight walks as a bat, and Grim once tried to fight him, telling MC a random bat he saw on the porch was being fishy.

_______

I’m tired so thats about it.

Enjoy

[getsuuna]

KNY Fandom so fucking insufferable I'm gonna start behaving like those GiyuShino and SaneKana shippers and go around spreading misinformation and say "no you don't get it SaneGiyuu was implied!!!" /j

because I'd actually have more content to mention without even mischaracterizing them

wanna talk about how they're a two-faced mirror? almost as if they were written to parallel each other and there's so much to talk about on this matter

or, since not everyone in this Fandom can dive into analysis, wanna mention how Shinobu figured Sanemi could've made Giyuu smile by inviting him to eat his fav dish with him? why not ask him directly instead? why Sanemi out of all people?

wanna mention Sanemi's pseudo-obsession on that man? he disliked his ass, but if we go back to analysis, his intolerance to someone feeling superior can be tied to a multitude of factors and one of which is being low-key reminded of himself, and he loathes himself while at the same time he puts on that strong façade. he can't face it though. and he wanted to understand why Giyuu felt that way SO BADLY he went to him for training and tried to speak with him, he wanted a contact, he wanted to understand, he needed Giyuu to speak up but he didn't.

on the other hand don't we wanna talk about Giyuu's perspective? Giyuu never hated him nor did he really feel sad knowing he disliked him, contrary to how he felt towards Obanai. not to mention he even got to be sarcastic towards Sanemi's dumb ass at least twice.

and the iconic ohagi scene? idk about y'all but between the hashira I think that's THE iconic scene, alongside Giyuu and Shinobu beefing and Shinobu almost stabbing him (don't get me wrong platonic GiyuShino has my whole heart)

the first time we saw Giyuu smile in the series is while imagining to befriend Sanemi??? and out of everyone he chose Sanemi? the hashira who is canonically the most difficult to talk with?😭 he only ever smiled either for food, for Sanemi or Tanjiro

oh and let's not talk about how Tanjiro, after getting knocked up, wakes up and the first thing Giyuu says is "yeah Shinazugawa left" ..? or the whole novel chapter in which they end up talking about him (supposedly right after that scene in the manga) and Giyuu cheered up. what

anyways, likewise, the first time Sanemi was seen smiling genuinely outside of his family was with Giyuu. Obanai and especially Masachika were both closer to him, not to mention the most important person in his life, Genya...yet here we are ig?? (after Giyuu he also smiled more in general, the scene of him smiling at Nezuko was one of my fav panels ever so keep in mind I'm taking in consideration the chronological events and not the impact of the scenes per se)

or let's talk about the most important part in their development which is when they fought together.

Sanemi saving him, telling him not to zone out while throwing the sword at him, it made Giyuu realize he's the water hashira, it was the first time Giyuu acknowledged it. Sanemi influenced Giyuu's character positively, and so far Tanjiro was the only other one who managed to. Sanemi saw him as his ally (rightfully so), and hopefully seeing him fight also made him realize he wasn't that much of a conceited guy, he was just like him, as he initially wanted Giyuu to understand (despite the fact it was a miscommunication)

Sanemi teaming up with Giyuu out of everyone, in such an impactful panel.... idk, if it was a straight ship that would've felt like a confession for the Fandom 💀

they impacted each other's character, they were the only two hashira surviving after facing the same war, they faced similar struggles during their lives (but let's not get into analysis, once again...), they could've understood each other better than anyone else would ever have, and they ended up bonding and eating together

that panel was there, in the middle of other panels all portraying important bonds, whether canon romantic bonds or platonic and sibling-like ones (Tanjiro and Nezuko, the Kamaboko squad, the swordsmiths etc.)

if it wasn't important it wouldn't have been there, but the funniest thing is that if either of them was a woman it would've been considered canon since it also included TanKana, ZenNezu and InoAoi🙏🏻

but oh, if we try to name either of these things and more, people will rightfully say "can't they be friends anymore?", which is valid, but I wonder why this doesn't apply to equally fanon straight ships.

a show so peak has so many fans that are so dense😭😭😭

[dukeofankh]

I mean, nothing I said was suggesting that nothing can or should be done. I have a couple things I can think of but people are already rightly pointing out that my experience, like all experiences, isnt universal. Calling out a shallow take isn't something I'm doing because I'm so so wise and I know how to fix everything.

I have heard the take that part of the fix for this will probably be a lot more white men with podcasts, and that is almost definitely *part* of the fix. It is legitimately difficult for young men to find content about random ass basic hobbies that isn't being served to them by low-key fascists. That needs to change. When talking with other progressive men, something that came up a lot was after school programs, especially ones that bring boys in more contact with their communities and expose them to different kinds of people in positive ways. Hate breeds in ignorance and isolation.

You already seem very anti-terf, which is great. That is also part of it. I don't honestly think that women are the cause of this problem but like, in terms of fixing this and convincing men that feminists are on their side, yeah, some small part of it is probably looking at the state of feminism currently and recognizing that it has devolved in many very public online spaces into reactionary gender essentialism and that radical feminism takes up a lot more air than anyone would like to pretend it does. "Sure I wholeheartedly reblogged something that claimed that any man who seems decent is just trying to let women's guards down to make it easier to assault them, something all men are trying to do to women at all times, but that's just venting. Ignore that broadside that me and my friends just unloaded on you and everyone who looks anything like you, if you think that your hurt feelings about that matter, that's on you for not recognizing that our pain justifies saying literally whatever we want" (to call up a random example) is certainly a standard that it is possible to enforce in some more isolated corners of the internet, but there has been a serious breakdown between the personal and the public, which is hell for messaging as a movement. This is no longer drinks with friends, this stuff gets broadcast worldwide to men who are trying to get a sense of what feminism is about. At some level, what is cathartic to say will have to give way to what is tactically wise to announce. The only men who will willingly share space with that sentiment if it is core to this movement are either convinced that they are personally exempt from examining their own privilege, which is its own problem, or men who agree wholeheartedly that all men are evil, them included, and are trying to atone. I've interacted plenty with both in male feminist spaces. It's not a winning team. I am aware how hard that will be. 4B type political lesbianism/lesbian separatism seems to be having a moment (at least as a meme) right now as people process their grief in this moment. That's understandable. But it's not wise.

Considering this is happening in the wake of the US election, and I'm saying this as a Canadian, it's also worth gently and precisely noting that even if the harm is the same, someone who voted for trump didn't necessarily do it because they despise women. If we're just looking at the raw numbers and saying "we're doomed", that's probably not helpful or, luckily, accurate. The project of changing the cultural narrative is huge and depressingly long. The rise of reactionary right wing populism when a society starts failing its young people economically isn't. That is a different, and much easier project. If you don't want people to vote for right wing populism, you need to give them left wing populism, and infiltrating the democratic party and pulling all the same tricks the right did but towards economic policy that will provide the next generation of men with the opportunity to own homes and pull their weight supporting families will do a hell of a lot more in a much shorter time than systematically changing each and every man's heart, especially considering a lot of the people who voted for trump weren't men. This project will outlast us, but MAGA doesn't have to.

If your vision for the deradicalization of right-wing men begins and ends with "other men telling them that that's gross and to stop it" then I'm sorry, you do not understand how masculinity works.

"Men who hold patriarchal status" and "men who are feminists" are two groups who overlap less than you want them to. I'm sorry. That's not solely because men are so happy with patriarchal status that they don't want to risk it by policing misogyny/queerphobia/racism, It's because being misogynistic, queerphobic, and racist, end expressing other forms of toxic masculinity(and often abusively so) are part of how people establish and maintain patriarchal status. The men who have the ability to stop this via nothing but peer pressure are the very people who are doing it. That's by design. And engaging in feminist intervention is, in and of itself, usually the abrupt end of that status and its associated power to persuade misogynistic men.

Like, I have worked in blue collar jobs as a notably queer person. It was pretty much a constant deluge of verbal abuse. In my experience, most blue collar work environments are exploitative, abusive, and bigoted, and very gleefully so. On the occasions I have spoken up about someone saying something that was super fucking out of line (asking me which of the girls walking by was hottest. We were installing a portable classroom at a middle school), believe it or not, they completely failed to be shamed! Because nobody else on the crew gave a fuck. *I* was the weird one. They ghosted me. A full blown company ghosted me. I suddenly didn't have a job anymore because they just straightforwardly stopped telling me where the next job site was.

Like, this doesn't mean that it's your job to do it, but this vision you have of these big groups of men where everyone is on the fence and there is precisely one shit stirrer who can be shut down by a brave feminist man who can single handedly set the example for all these other guys...you are high. You are describing an "everybody clapped" level absurd scenario. Most of these truly virulent misogynistic guys either have zero friends, because, you know, our society is atomized to fuck, or they are in a group where the feminist guy is actually the weirdo who can be shut down and ostracized much, much easier than the misogynists, because there is no such thing as a man misogynists respect who stands up for women.

You might be saying "well, we're talking about longstanding personal relationships, actually. Like, they need to have to want to spend time with you and then, as a side effect, you can mind control them out of being a threat to us."

Problem with that being:

1: Many feminist men also have no friends, see the atomized society above.

2: Feminist men already stopped hanging out with men who make rape jokes because why the fuck would we want to spend time with them.

3: That isn't just because we respect women so hard. We are in many cases talking about men who are also deeply queerphobic, heirarchical, violent and abusive to other men. What initially drew me to feminism and women was a lack of heirarchical squabbling and constant bullying, and the ability to be openly queer. A lot of men who came to feminism did so because they knew that the patriarchy was not a place they would find success or acceptance. These are not the men who are gonna be able to change right wing minds.

4. Men do not view themselves as a monolith. There is no universal brotherhood of men. The actual meaning of the term "Fragile masculinity" is that men are constantly expected to prove that they are deserving of the status of being a member of their own gender. There are large swathes of men--including most of the men who you'd look to as examples of good, feminist men who you want to undertake this project--who are considered failed men, sissies, f****ts, soyboys, ect. They are. Not. Going. To. Convince. These. Men. Of. Jack. Shit. Much less successfully *shame* them. Jesus.

I know all of this sucks. I know it would be cool to be able to just point at a group and have them be responsible for the work. But nah. It's gonna have to be a societal project, one that will probably outlast all of us. Sorry. The thing you want these men to do is, absolutely, the morally correct thing to do. But presuming that it would be effective is, and once again I am so sorry about this, just ignorance of how these social groups function.

[themultifanshipper]

🟢 for Jenson button x reader? during his brawn days

It was a well-known fact that Jenson Button was a whore.

Which is something that infuriated you to no end as his PR manager.

Warnings: smut, PinMultipleVs sex, oral (jenson knows how to use his mouth, it's canon trust me bro), forced voyeurism (hear me out), sex tape, Jenson has a thing for begging, a lot of dirty talk, it's kind of cringe maybe? Idk you be the judge

2.9k words, and about ⅓ of that is fuck/fucking lmao

Requested from my prompt list

You'd never caught him really doing anything, which was a blessing.

Usually you'd let yourself into his hotel room in the morning because he was late (you always had a spare key for this exact reason) and find him in bed with someone (the number and gender of the persons will remain redacted).

You'd have to politely wake them up and tell them to leave, then give Jenson an earful about how he couldn't afford a bad rep now that he was leading a championship.

It was a familiar routine, he’d run around his room trying to gather his stuff, sometimes having slipped some underwear on, sometimes not, and winking at you cheekily the whole time.

He was hot, there was no denying that. His body was lean but toned from the hours he would put in at the gym, and doing… other activities. And that fucking smile would have swept you off your feet had you not been his PR manager.

But you were his PR manager, so anything happening between you two was a big no no.

However that didn’t stop your mind wandering. Sometimes you wondered what it would be like to be with him.

You’d heard stories and rumours about how good he was. And you’d heard proof of it too, whenever you had a room next to his in the hotel, or when you’d stop outside his driver’s room door listening to the high pitched moans of whichever paddock pass-gifted model was there that week.

And they weren’t fake. You could tell the difference.

Which is why today, you’d strolled into his driver’s room without knocking, because you’d listened in and heard only silence.

You only realised your mistake once your eyes landed on him, on his single bed with a model on all fours, taking his hard thrusts with a makeshift gag that looked suspiciously like one of his shirts.

It was completely muffling the poor girl’s moans, tears running down her cheeks as Jenson pounded into her.

“Jenson!” you hissed, quickly shutting the door behind you. “Anyone could have walked in!”

He wasn’t deterred in the slightest and he just kept going while he replied.

“Well I’m glad it was you, then, because you can’t get me fired”

The fact that he was still balls deep in the woman, who’s arms had buckled and was now face down on the small bed, was rendering you almost speechless.

You’d never actually caught him in the act before, and it was quite a sight to behold. His muscles bulged with his rough movements and there was a deep blush on his neck and chest.

You refused to look at his dick, you feared that if you did, you might never look away.

“Jenson, stop this! I’m serious, we need to talk about that disaster of a practice session!”

He just chuckled and carried on.

“Jenson!”

“Okay fine! Just give me a minute to make her come, I never let a girl leave unsatisfied…”

Your jaw dropped at his audacity. What the fuck.

He leaned over her, mouthing at her neck while one of his hands went down to circle her clit roughly.

“You going to come for me sweetheart? Going to come so that this lovely woman can kick you out and yell at me for fucking you where anyone could see us?”

You saw red and the woman saw white, you clenching your fists as you held back from swinging at the man, her cunt clenching around Jenson as she wailed into the gag.

Needless to say the girl didn’t stay very long after that…

And Jenson had the decency to look slightly afraid as you screamed at him for the next half an hour.

He’d never seen you this angry, rage seeping through your every pore at the fact that he was careless and reckless, and quite frankly irredeemable in terms of PR. And you told him that you wished that you’d been hired by any other driver. Yes, even Sebastian fucking Vettel, because at least he hides the fact that he’s a complete whore!

You didn’t speak to him much over the next few days.

The truth is you were angry. So angry, at him for being a dickhead, but most importantly at your brain for replaying the whole thing over and over again.

The image of his strong body pounding into that woman… you shuddered. You didn’t even know her name, and you were fairly sure Jenson didn’t either, the sexy bastard.

You knew you had been a bit harsh with him, but part of you hoped he would take your words as a kick in the arse and change his ways.

Well… you were sadly mistaken.

A few days later he knocked on the door of your office with the kind of news that no PR manager ever wants to hear.

“You fucking what?!” you shouted angrily.

He flinched and ducked as you threw a book that was lying on your desk at him.

“A fucking sex tape?! You twat!” you paced around your office as he cowered on the couch.

“Could you be any more of a fucking idiot? What were you thinking?”

He picked at the skin of his nails. “I wasn’t thinking…”

You halted in front of him. “You can fucking say that again!”

You paced some more while he explained the whole situation.

A few months ago he’d filmed himself fucking his ex and now she was hungry for money and was blackmailing him. Unfortunately he had ignored all previous threats, and the video was now trending on Pornhub.

You sat at your desk with your head in your hands as you tried not to cry.

“Show me” you said dejectedly after a few minutes of silent thinking.

“What?”

You sighed. “Show me” you got up and motioned to your seat. “Find it and show me. I need to know what I’m dealing with here. Maybe there’s a way of pretending it isn’t you or something”

He looked almost sheepish as he shuffled over and hovered in front of the seat.

“Are you sure? I uhm….”

“Oh I’m sorry” you snarled sarcastically, “would you rather I didn’t see it? Are you shy now? You weren’t shy when you fucked that other woman in front of me, now sit the fuck down and find me the fucking tape, Jenson!”

He sat down and did as he was told, for once, and the thumbnail was enough to make you groan.

“Really Jenson? In your race suit? For fuck’s sake!”

You clicked on it angrily, barely registering the title “F1 driver makes me beg for his cock before bending me over his car”

The first part wasn’t too bad. And by not too bad, I mean his face wasn’t in it, but he was yapping non-stop dirty talk at the woman rubbing herself over his suit-clad thigh.

Voices can be manipulated, you thought. Voices can be imitated.

Voices can also be low and husky and make you want to drop to your knees when they say “Beg for it baby. Show me how bad you want it. You’re not getting my cock until you beg for it…”

Right. Whatever. There was still hope blooming in your chest (and other things blooming elsewhere).

The hopes were quashed however when he finally took the suit off.

His tattoos. His fucking tattoos. They were obvious to anyone who’ ever seen Jenson shirtless, which was anyone from fans, to every single f1 employee, to his mother, to his thousands of hookups. (You were barely exaggerating for effect, but the point still stood).

And then your eyes drifted down into dangerous territory.

Territory as yet undiscovered by your hungry gaze.

His cock. You’d seen it soft, sure, that was nothing to write home about. But for the first time you were seeing it hard and leaking onto his stomach.

Then the scene cut and another problem came up as it changed to something else.

He was now holding the camera, filming himself splitting open the woman’s cunt while she was indeed, bent over the hood of his car.

His very fucking recognisable car, a bright yellow fucking Ferrari.

Your brain only spent about a second on the car however because the angle of the camera quickly changed again.

He’d propped it up against the windshield and now his full fucking upper body was in in view, tattoos and all, and his full stupid fucking face.

His face that was a quite a sight at that moment. He was biting his lip, frowning in concentration as he pounded into the woman who was all but drooling onto the hood, trying and failing to find purchase on the smooth surface as she begged for release.

Fuck he looked good, letting out little whiny sounds every time he buried himself to the hilt.

It was enough to make a grown woman wet.

You realised a beat too late that you’d been staring at Jenson way too long when you felt the real Jenson turn towards you in your peripheral vision.

“Is this fucking turning you on?” he asked, half in awe, half mocking.

You scoffed and straightened up. “Of course not, don’t be ridiculous”

You turned away pretending to be busy with something on the desk.

“You were rubbing your thighs together and basically drooling over the video” he was so fucking  smug.

A smug, hot fucking prick of a man.

“No I wasn’t” you denied it but in your heart you knew it was probably true.

“Prove it, then” he stood up from the chair and stalked towards you, eyes full of challenge.

You crossed your arms in defiance, “and how on earth am I supposed to do that?”

You were backed up against your own desk, feeling caged in and small next to his impressive build.

His hand landed on your thigh as he smirked at you, only inches separating your bodies.

“Only one sure way to find out…” his hand trailed up the inside of your thigh, under your skirt and ghosted over your underwear.

“Jenson… we can’t be doing this” you looked up at him, eyes wide as his fingers dipped under your waistband.

“No one has to know… It’ll be our little secret” he whispered, body coming closer and forcing you to lean back and spread your legs to accommodate him.

Your body trembled as his fingers inched towards where you needed him most, briefly making contact with your clit before sliding through your folds.

“Just as I thought…” he growled in your ear. “Fucking soaked.”

His fingers retracted and he pulled them out of your underwear to tap them against your bottom lip.

“Open your mouth, taste how much you want me”

You did as you were told and the taste of yourself on his fingers was enough to fry your brain completely as you sucked them clean.

 “Good girl” he said, and sank down to his knees between your legs, looking up at you with that devilish smirk.

“Now let's try this again. Did it turn you on seeing me bend that woman over and stuff her full until she cried?”

You were too desperate to argue. You could have agreed to absolutely anything in that moment, with your bare drooling cunt inches away from Jenson's hungry gaze.

“Yes Jenson. It did turn me on”

He smiled, genuinely surprised that you were giving in so easily.

“And are you going to be a good girl and beg me to do the same to you?”

Your thighs tensed as butterflies erupted in your stomach at his words, his hands keeping you in place and spread open for him.

You let out a huffed whine.

“Yes, Jenson”

“Then I'd better get to work...”

And with that he slid your underwear to the side and dived into your wetness, tongue first.

It was so messy, but so good as he basically made out with your cunt, his tongue exploring every inch of your skin while he slurped up your juices noisily.

He sucked on your clit and you let out a shudder, hands coming to tangle in his hair as you guided him.

He slid a couple of fingers inside you and hummed against your clit, the vibration making you whine as you got closer to an orgasm.

“Jenson, I’m so close-“

“Beg for it” he mumbled into your skin. “Beg for it or I'll leave you here dripping all over your desk”

“Please Jenson, fuck- Please let me cum. I'll do anything please, please, please!”

The closer you got the higher pitched your pleas became, desperation too great to be embarrassed.

But just as you got to the brink of ecstasy, your release was snatched away as he retreated and stood up, cupping your jaw to tilt your head upwards.

“The only way you're coming is on my cock, darling” he patted your cheek sympathetically “And you’re going to have to do better than that if you want it”

He took a step back and looked at you, waiting to see what you would do.

You looked at his pants where an impressive bulge had formed, and your mind went back to the video.

You gulped, turned around slowly and bent over, elbows making contact with the surface and your fingers gripped the edge as your body shook with need.

“Please, please fuck me Jenson. I need your cock inside me. Fuck me until I can't remember my name, please.”

How could he refuse when you were asking so politely.

You felt the heat of his hands on your back before they slid lower to cup the flesh of your ass and squeeze.

“I'm gonna fuck you so good, baby” he pulled up your skirt and peeled off your now dripping underwear before removing his own layers to free his cock. “And you're going to come on my cock like a good girl aren't you?”

You nodded desperately as he rubbed himself through your folds to spread the wetness, head catching on your hole every now and then.

“Please, I need you” you spread your legs wider and he bit his lip at your submissiveness.

He pushed just an inch in to start, then slid in more on every shallow thrust until he was fully inside you and you both let out a breath.

“Fuck” “Fuck”

He was more affected than he thought he'd be and he had to hold your hips down to stop you squirming and potentially ending this far too early for his liking.

You were feeling fuller than you'd ever felt before, fluttering around his length as you walls got adjusted to his girth.

He took a breath and gave an experimental thrust, knocking into your cervix and rendering you utterly boneless under him.

He repeated the action and you whined pitifully, his cock was hitting every spot perfectly at this angle and you knew you weren't going to last long.

After only a minute you were already drooling onto the desk and begging for him to go faster.

“Jesus Christ” he groaned, his hips slapping against your ass, “You're so fucking perfect for me, my perfect little slut”

You were already so close you could taste it.

“M'gonna come Jenson. Please make me come, I'll be a good girl for you, anything, just- please, fuck!”

He didn't stop this time, instead driving into you harder to chase his own release as you rode the waves of your high, made more intense by his unrelenting pace.

He finally came inside you as you'd just started to feel the ache of overstimulation and you twitched around him, feeling his cum leak out of you when he turned soft and pulled out gently.

The clean up was quick and awkward.

He sat down on the couch and you sat at your desk.

No one said anything for several minutes, gazes wandering around the room but never crossing...

You decided to brake the silence, being the only real adult in the room.

“I'll see what I can do for the tape” you sighed.

“Thank you” he bit his lip shyly.

“However...” you said, pausing to make him look at you. “I can't be your PR manager anymore”

He honestly looked like he was about to cry.

“But-“

You cut him off. “I will find you a replacement don't worry. But I'm almost going grey with how much stress you put me under, not to mention what we just did is entirely unprofessional, so I need to stop.”

“But-”

“However!” you cut him off again. “For the sake of the next person who's going to have to deal with you, and for my own personal needs. I'd be willing to make your sex life less public, and less... chaotic by becoming your girlfriend”

His jaw dropped. He definitely wasn't expecting that.

A small smile crept onto his his face that slowly grew until he was full on grinning at you.

You couldn't help smiling back.

“Don't think I hadn't noticed that all the shit you pulled was just to get my attention, I'm not that blind.”

He laughed and looked at the floor in embarrassment.

“So if you'll have me...” you got up and walked over to him, hooking a finger under his chin, “I’d love for you to bend me over every piece of furniture in your house”

He gulped and licked his lips as his pupils grew a fraction.

“Yes please”

[hrrtshape]

FAME DR — weird, little problems

⋆  forgetting where i last put my designer sunglasses almost every day, which means my assistant has 7 extra pairs on standby – and half of them aren’t even mine. i think.

⋆  chipping a perfectly manicured nail right before a photoshoot, then having to hide that hand in every single shot. it’s not diva behaviour if it’s just a matter of survival, okay?

⋆  getting the cutest, keeeeeewlest gifts from fans, but they’re wrapped like fort knox!??!! i end up spending 15 minutes trying to carefully open everything without ripping a single bow or little note.

⋆  that eternal (sisyphus mentioned) inner struggle of “is the vintage dior too much for buying soy milk? what if i get spotted?” and realising it’s already 7 PM and i’m still in that closet, no closer to getting groceries.

⋆  finding a way to stuff a giant PR package from hermès into my handbag while also managing keys, phone, and fan mail that i promised to keep safe.

⋆  putting on the most basic hoodie and jeans (and even a cap….) to blend in, but the cashier still goes, “wait. wait, wait, wait. aren’t you that famous actress? OH MY GOD!!!” so much for being “low-key.” i just wanted soy milk, hello?? 

⋆  walking into an event in the perfect lightweight dress only to find out the AC is set to antarctic levels, and now i’m shivering while trying to look composed.

⋆  trying to angle my face for selfies with fans because of that one side i’m convinced is my "best," and they never seem to choose it. so much for scripting “i look divine in all angles……..”

⋆  having a full lineup of glorious, beautiful, fantastic, bewitching lipsticks to choose from and still somehow going with the same one every day. guess that signature look isn’t so much a choice as it is reality.

⋆  saying "thank you" to fans in a raspy post-performance voice, only to have it crack halfway through like i’m in middle school. cute. also a bit pathetic, but i hope nobody noticed it (it’s already on twitter. okay. fml). 

⋆  catching a glimpse of myself before an interview and realising i lost one of my statement earrings somewhere in the makeup chair. so it’s off with the other one, and fingers crossed no one notices !!

⋆  stumbling into clouds of fans’ perfume that just won’t leave, so now i’m a weird medley of their scents instead of my signature one. WHO’S WEARING DIOR SAUVAGE, GET THEM OUT.

⋆  thinking i’ll just take a “few quick pics” after an event, but that “few” turns into 70 fans waiting in line and smiling with them all. i’m happy to do it, but babygirl….. those cheeks start to hurt by #27.

⋆  walking the red carpet in sky-high heels and reminding myself NOT to look down because one glance and it’s wobble central and then god knows i’ll be crying off sheer embarrassment, guilt and shame and then sticking that heel into my neck (medieval girl with sword in neck recreation, well yes!).

⋆  trying to sneak a snack in between takes but terrified of crumbs, so i’m eating chips with the slow precision of a surgeon.

⋆  constantly having that goddamn phone on 5% because i forgot to charge it while on set, so now it’s a frantic hunt for a charger before the next event.

⋆  pulling my hair out at night only to realise my hoodie has taken a chunk of it with it. fan photos the next morning with that bald spot are just not the vibe, i fear.

⋆  jet-setting for events means my phone calendar is permanently confused, and i’m somehow late to things happening in my home time zone. 

[inksandpensblog]

Somehow I got this idea of Chosen, left alone after the season conflict again, wandering away from the site of the final battle and then stumbling upon Victim’s abandoned farm.

Obviously by the time he finds it it’s a little run-down, because the property owner hasn’t been back in a while.

(Not that Victim had been spending much time there anyway, recently. As the lab grew, they started spending more time at their office, and their own house became more of a retreat. Though the neighbors would still lend a hand every now and then, at first.)

But when Chosen finds it, it’s been long enough that the neighborhood is pretty sure the original owner won’t be coming back.

Not that Chosen is aware of this, at first. It starts with him squatting in the barn.

He gets a good nap in, but eventually the farm animals notice there’s a person in the barn again and begin vying for his attention.

He figures out what they want, in the hopes that making them happy will get them to leave him alone, and then goes back to resting.

Rinse and repeat a few times, until Chosen realizes that the only way to get the animals off his back more permanently is to get a bit more involved and make some changes to the space.

So he starts fixing the barn up. Which leads to him fixing up the property around the barn. And he starts paying attention to what the animals’ regular needs are, instead of just their needs in the moment.

(The neighbors have become aware that Victim’s property is no longer abandoned. The new guy doesn’t seem to know what he’s doing, but he’s good to the animals and he’s trying to fix the place up so they all pretend he isn’t technically trespassing. He looks similar enough to Victim for them all to figure he’s probably family, so they figure it’s alright that he’s there if he’s gonna take care of the place. Nobody approaches him though; he seems to not want anyone to know he’s there…and, again, he looks similar to Victim.)

Eventually enough changes have been made that anyone who spent a lot of time in the area would have to know somebody was there, even if they hadn’t seen Chosen himself. So Chosen decides to check out the actual house.

I don’t think he moves in, exactly. He’s gotten used to the sheep snuggling up with him, the barn cat purring on him, the horses’ quiet solidity, the chickens’ constant quiet clucking, the cow’s lowing, the hutch rabbits’ fluttering heartbeats. But there might be a few nights when he needs quiet and solitude, so he’ll slip into the house for the evening.

But even if he isn’t completely moving in, he still starts to fix up the house. It’s something to do.

(He was wary, when the neighbors began looking his way. But aside from the occasional greeting or acknowledgement, most seem content to pretend they haven’t noticed him. He relaxes a little more.)

Eventually it becomes clear that nobody is going to dispute his occupation of the farm. His presence has been accepted in all the ways he can discern.

He begins to think that maybe, he can find contentment here.

(The neighbors have grown comfortable enough with him to call advice to him over the fence, in passing. He has clearly not quite grown comfortable with the idea of having neighbors yet, but he recognizes that help is being offered; and little Toby found his ball back on his front steps the day after he kicked it over the fence, so the guy can’t be that bad.)

So time passes, and Chosen truly begins to settle into farm life.

One day, as he’s working on the interior of the house, he hears footsteps on the porch. Nobody has ventured so far as to visit him on the farm grounds yet, but they aren’t the heavy footfalls of aggression so he cautiously opens the door.

Only to see a roughed-up Victim fumbling for their spare key.

Chosen is immediately tense. But...Victim is favoring one leg, and their hands are shaking, and breathing seems to hurt, and frankly they look like one good punch might kill them. So he waits.

Victim’s initial reaction, after freezing in place, is simply a flatly nonplussed “what are you doing here.”

“…I live here.”

“…this is MY house!”

[welcometothejianghu]

Welcome to another round of W2 Tells You What You Should See, where W2 (me) tries to sell you (you) on something you should be watching. Today's choice: 致命游戏 / The Spirealm.

The Spirealm is a 2024 drama about two young men who fall in love while basically playing a whole bunch of horror-themed escape rooms that can for-real kill you.

This show/book combo has gripped my entire ass. The second I knew I wanted to watch this, almost immediately after it started airing, I muted the tag. I was so right to do this, because this is worth not spoiling yourself about. If you are a Guardian fan in particular, you owe it to yourself to watch this for reasons I think will become clear as you go about watching it.

So! If all you need to know is that I think you need this show in your life, great! You don't even need to scroll down to the end of the post for the links; go to Viki and press play. In case you need more convincing than that, though, I'm going to give you here five reasons to watch it that are as spoilerless as I can make them.

Before we start, though, I'm going to take a moment to note that I had to torrent the video files so I could make screenshots of my own, and if I hadn't, this would have been a much uglier rec post than the others I've done. Not only were there not many promotional materials or official stills released, the show itself barely stayed up two hours on iQiyi, and that's because this drama is a...

1. (Barely) Censored Adaptation Of Same-sex Original Work

Ah, you know that MyDramaList tag well, don't you? Yeah, the original novel, Kaleidoscope of Death (which has a rec post of its own!), is supernatural story about grief and loss built on the love story between the two male leads. Now of course you know already that a mainstream Chinese television adaptation of something like that is going to straighten up everything and turn the horror romance into the sci-fi platonic love of besties.

...But damn, folks, it's still real gay.

Ling Jiushi, the sweet-faced newbie, is a canonical virgin and loving cat dad who plays the mysterious video game once, then finds himself suddenly able to enter the game worlds bodily -- and of course, if you die in the game, you die in real life. He's pretty much doomed, until he meets...

Ruan Lanzhu, the cool-as-a-cucumber veteran of the door worlds, who falls pretty much immediately for the completely oblivious Ling Jiushi, then has to spend the rest of the series consumed with lust while trying to keep him and a couple other dipshits alive.

The show preserves so many overtly gay beats and declarations of affection from the novel, to the point where it's just this side of suggesting that the romance is actually, textually happening just offscreen, every time the camera cuts away. I am forever grateful that working with Zhu Yilong on Reunion seems to have perfected sweet baby Junjie's ability to look at a man with nothing but love in his eyes.

I adore so much the dynamic they have, one where a man who has never told the truth a day in his life encounters a man so sincere and naive that you cannot seduce him with anything but absolute honesty or he's never going to get it.

There are three (3) separate door worlds where they share a bed, and in every one of them, they both sleep with their shoes on. Like the absolute freaks they both are.

2. It's puzzle solvin' time!

So if you've read some of my rec posts before, you know that I am critical of stories that center around cases that are unfollowable, uninteresting, or both (e.g., Mysterious Lotus Casebook and White Cat Legend). I am therefore thrilled to tell you that the door worlds are actually (largely) thoughtful mysteries with reasonable solutions, where you care about what's happening and why.

The way each door world is set up is that you have to solve the puzzle to find a key and unlock the door that will let you leave. One of the challenges is each world's door ghost, who has the key and does not want to give it up. The other challenge is the world-specific set of taboo conditions, where violating them means the door ghost can kill you -- and you are not always told what those taboo conditions are. That means that solving a door involves 1) figuring out what will insta-kill you, 2) not doing that, 3) finding where the hell the exit door is, 4) placating and/or scamming the door ghost long enough to snatch the key from them, and 5) running like hell to the exit door with that key before the door ghost fucks you up about it.

As the show goes on, you get introduced to the concept of door-passing shepherds, which are experienced door-finishers who take through lower-level players, building them up in the process. A lot of these shepherds work for organizations, such as the one Ruan Lanzhu runs. And a lot of them are ready to reach the exit by climbing over everyone else's corpses.

That's part of the fun of the setup: You're not just thrown in alone. You show up with a random number of other players, some with very different levels of experience. At least one of you will make it out; not everyone will. So you can add a step 6) to the list above, which is: surviving all the other players who will gleefully stab you in the back in order to be the first player out the door.

The door worlds are also lovely. They all feel like sets -- and I know that's a weird thing to say about places that are literal sets, but they manage it feel it even on film. In fact, even the show's uses of clunky-ass greenscreen feel appropriate, because of how unreal everything is supposed to be. Everything looks like a dream, which is only amplified by how beautifully everything's shot.

(What's that you say? You say the guy who directed this was the editor on Infernal Affairs? No kidding.)

From a fandom perspective, what's great here is that even though there are technically just twelve doors, there are canonically way more than twelve door worlds out there. That means that whatever worlds you want to create are valid. The best pieces of fanfic I've read are the ones that dream up their own door worlds, complete with taboo conditions, key puzzles, and world-specific perks that lead to gay sex, because come on.

3. A good middle ground of horror

So at this point you are perhaps wondering: How scary is it?

And the answer is, kind of as scary as you're willing to let your mind go with it. Everything has been science-fictioned real hard, including the video game premise that "explains" what's happening with these doors. It relies on dread way more than jumpscares. The blood/gore/gross content is extremely low, again on account of Chinese content censorship. Most icky things are done with offscreen sounds and shadows. I'm pretty squeamish about pain and injury, and I can't recall a time I had to look too long away from the screen.

However, that means the show works some real conceptual horror. That picture up there is of a man forcing three young girls to hold raw eggs unbroken in their mouths. There's nothing about that image that's not technically G-rated, and it's awful in context.

The best bits are when the monsters don't need a lick of CG to become horrors. They cast a contortionist in the Waverly Hills door world, and she absolutely earned her keep.

I have a lot of critiques about how the show handles things, especially in terms of defanging the horror elements (which it does), but one thing I think it absolutely gets right is that it understands that ghost stories are first and foremost tragedies. That's a thing I've always liked about Asian horror in particular, how often you wind up siding with the ghost. Yes, sure, she tried to strangle you with her hair, but have you ever considered she's the real victim here? There's always a bit of a calculus: Can you negotiate with the door ghost, or do you just need to stab them and run? The Spirealm prefers negotiation, and frankly, so do I.

So yeah, it's about as scary as you let it be. If your horror tolerance is low, watch it in a well-lit room and focus on the unreality of it, and you'll be okay. If you're looking for something genuinely spooky, spend some time thinking about the existential dread of the entire situation, and that'll be good for a couple good spine tingles.

4. The Obsidian Family (& Friends!)

In a show where death is always an option, you have to have characters where you actually care if they live or die. Fortunately, all your allies are charming and loveable enough that you are going to be real upset every time they get put in danger!

Obsidian is one of the organizations I mentioned earlier. It's run by Ruan Lanzhu, and it includes a cool and collected doctor, a mom friend who cooks for everybody, a guy who's maybe not having the best mental health day of his life, and two identical twins who could not be more different if they tried. They all live in the same amazing big fancy house, which is where Ling Jiushi too goes to live when he joins the group. They have big family meals, they look after one another, they hang out together -- I mean, if this is the kind of setup you love, then you will love this setup.

There are also plenty of allies who aren't technically part of Obsidian, but who are our friends nonetheless, and who come over to hang out in the Obsidian house from time to time. Some of them are rivals turned friends, some of them are clients turned friends, and some of them were just friends all along! Surely nothing bad will happen to any of them, and they'll all live happily ever after, right? ...Right?

5. Toast and Chestnut!

Of course, the true heroes of the show are Toast the Corgi and Chestnut the Kitty.

Animals are so good.

Truly, I love that one of Ling Jiushi's defining characteristics is that he is a Cat Dad. He is a simple man with simple needs, and one of those needs is to pet his kitty or he'll explode.

caveat: Some thoroughly bad adaptation choices

Yeah, so I keep talking about the novel (and talk even more about the novel in its own rec post), but I assure you, you don't need to have read the novel to feel the degree to which this is an adaptation -- and one that's had its rough, nasty, spooky, gay edges all sanded off in the desperate hope of ever seeing daylight.

Now, sometimes I consider batshit nonsense janky creative decisions to be a selling point for a show (see: Mysterious Lotus Casebook, Legend of Fei, Sand Sea)! In this case, however, I'm going to have to take points off for how incoherently bad they are here. We're talking Psych-Hunter levels of Why Would You Do That-- and the answer, as always, comes down to how you write around what censorship won't allow on television.

The novel says the doors are supernatural. The show says they're a virtual-reality computer game. Now, on the surface, this move sort of makes sense -- you can't have ghosts, but you can have computer games that make digital ghosts, which, sure, okay. But then the problem quickly becomes that the plot of the novel is not remotely built to support a sci-fi premise, so a lot of things have to be grafted awkwardly on. Like, say, a bad guy who stole his corporate logo from Even Worse Twitter. Or a game-designing bestie whose face is never seen. Or [late-stage spoilers about a major character].

The eventual explanation is that this whole setup is a righteous and good game that has somehow been corrupted by evil game-designing capitalists from the West, and that's why it can abduct you in broad daylight and kill you if you fail it. There are good people who want to purify (???) the game, and evil people who want to make money off the game. And I don't mind spoiling you for that part, because it's garbage nonsense. You will be deeply unsatisfied with the show's half-assed attempt at resolving it all. (You may, however, have that disappointment tempered with the amazing concurrent display of heterosexuality that is apologizing to your best bro by coding his perfect man for him. The Spirealm is a land of contrasts.)

Look, I consider myself a mild to moderate socialist, and even I was yawning and making jerk-off motions every time someone started to wax halfheartedly poetic about how evil American capitalism is. Like, yeah, but not because some college student made a vile and wretched video game that eats people! This show is a critique of capitalism like a five-year-old crying because he doesn't get ice cream before bed is a critique of authoritarianism.

And even this, I can't be too mad at it about, you know? I just assume that this was some absolute Hail Mary attempt at getting past censorship -- you know, maybe if we make all the right "grr, USA bad!" noises, they'll let our gay ghost story slip by? And it worked! I mean, just barely, but it did.

So yeah, fair warning that the Spirealm is a show that, if you love it (and I do), you will have to love despite some glaring flaws that haunt it all the way through and hit especially hard during what should otherwise have been an amazing endgame. But hey, we're c-drama fans! We're good at loving janky things, right?

Want to enter the World of Doors?

As I said at the start of the post, Viki's got it -- and only Viki. I'm not sure what circumstances got it up on Viki after iQiyi pulled it, but I'm glad. Watch it quick, before Viki changes its mind!

Hug him! Hug that boy!

[megumislovedoll]

super shy? no, super lucky

⠀ ⠀— chapter 2 of the cool with you series

yn pov 3rd person

She sighed, finally finishing her test. Now, it was time to see what she got on it. She'd been lucky enough to remember her test was today just in time, but now let’s see if she was lucky enough to get a good grade despite her last minute studying, constantly leaving online classes early, and turning in assignments late. 

Which the only reason why these things would happen is because of newjeans. 

“ohmygoshohmygoshohmygosh,” she whispered, her hand shaking as she reached for the refresh button—or maybe she was just being dramatic. She pressed it, and then—“YES! OH MY GOD!” she cheered, seeing her grade: a B. 

Just as she was about to scream some more, a text popped up, it was utahime reminding the group about an afternoon dance rehearsal for their new song, Supernatural.

“Right, rehearsal,” she murmured, calming down a little but still feeling the excitement. She grabbed her dance bag and was just about to leave when she caught a look at her reflection in the mirror by the door. Maybe she should actually get ready for the day—considering she’d just ran out of bed in panic earlier today and hadn’t even showered yet.

Megumi’s pov 3rd person

morning classes are done, and now he has about an hour and thirty minutes until his afternoon classes. Everyone else is out of the dorm doing something, except Toge, who’s napping on the couch. Megumi opens the fridge—nothing, besides four eggs left. "Of course," but he pulls the eggs out of the fridge and starts cooking them, which makes Toge’s big back ass wake up.

"Can I get some?" Toge asks.

"No."

"Why?"

"Because there’s only four, and you guys are always eating everything anyway."

Toge groans. Maybe a few minutes later, Megumi gets a text from Yuuta: "megumi it’s your turn to get the groceries and share some eggs with toge"

"No way you just snitched on me," Megumi says. "Shareeee, Megumi."

"You know what," he says, "since you wanna be so big..." He puts the cooked eggs onto a plate. "Have the rest. I don’t fucking care."

He moves toward the door and grabs his keys. 

"Wait, where are you going?" Toge asks.

"To get some groceries, since you wanted to tell on me," he replies, leaving the dorm.

Yn pov 3rd person 

It’s been about 15 minutes, and Uber won’t fucking work. She tried reopening the app, restarting her phone, deleting and downloading the app EVERYTHING but it won’t work. She also tried asking the other members to pick her up; half of them are already there, and the other half hasn’t seen her message.

“guess I’m just gonna have to walk.”

The walk isn’t exactly long, just a few minutes, but it’s still risky considering she could get noticed. So, she’s gonna have to wear a mask and some glasses. She went down the stairs, then out the door, walking down the street with her head down as well so she could definitely not be noticed. Amazing idea, right?

Yeah, until you bump int—

masterlist!

TAGLIST @cinnamxnangel @sorenflyinn @beepbopzlorp @angelcakkess @ibeatmywifeandkidss @h-aecat @megumisluciouslashes @gumims @starrysho @tlissablr @kiss-my-asscheeks @good-mourning0 @mikikoo @1l-ynn @stillnotherapy @kzoyu @brideads @mikko-mikko  @shokosbunny @fushiguruuzzzz @hanniemylovelyquokka @adoremae    @ocyeanicc @sentifua @sirenla @depressinglyobsessed @m1ndfulsorrows

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[vryfmi]

there's one major thing that's been nagging on me about l&co adaptation ever since my first watch: if we were to get season 2, how would they set up the conflict of THB?

i can get behind some of reinterpretation of characters and their mannerisms, character traits (i.e. Lockwood dressing less formal and not being a know-it-all, Lucy being less hateful towards George, seeing Kipps as he's actively losing his talent, George Karim being iranian and being very close to his culture in a form of cuisine), some are good, as a fan of books i'd be eager to get to know these characters along side their book counterparts.

but alas, i can't see these characters as the same characters in both medias because too much of their characterisation was changed, and it's really hard to blame on pacing or the lack of screen time. it's the writing. some changes going as far as making me question, what were they supposed to do with this groundwork in the second season.

how would runners set up a conflict of L&Co overworking themselves after gaining fame over solving the bone glass case and accepting all calls they were getting, if show!Lockwood out right says in episode 4 that he's not interested in boring cases? not only does it get rid off of a major characterisation of Lockwood as someone who's, yes, in it for fame, but most importantly he became an agent to "avenge" his family. avenge isn't even the right word, i think. he doesn't want others to be fallen victims to a visitor, doesn't want to see other people lose their loved ones, lose their family to ghosts. not only does it make show!Lockwood rather vain and only fame driven, instead of someone dealing with deep personal trauma, but also loses one of the key points of Holly's introduction to the team. (i also love the reading of LW naming his agency Lockwood&Co as something less selfish and more about him paying a tribute to his family, that without them and visitors taking them away from him, he wouldn't start his agency and wouldn't be able to help other people.)

speaking of Holly's introduction, what exactly would have been her role at the start in the show? L&Co don't seem overworked from the 4 cases they had (2 related to TSS out of 4 in the book, Wimbledon gallows + Bickerstaff's, not counting Wilberforce's ghost and a bunch of not mentioned in dialogue cases i. e. Mrs Barrett's tomb). that already solves the problem of trio not having free time to do chores around the house. but say show says "and now they're overworked" instead of showing, sure, but it doesn't get rid of George's stress cleaning habit.

Holly was introduced as a help, as a support to the way L&Co was already running and over the books she became more than just an assistant but a beloved part of the team. without proper reasoning as to why Lockwood & Co had to get an assistant, Holly's introduction could be messy and unprompted, something like checking a box in the list of what has to happen instead of making it story driven. something like what happened to skull's character.

and a final thing that im iffy about is the ending of the first season. somehow show rushed through and speedran Lockwood's suicidal arc as well as managed to call it out by the end of show's TWS storyline, where books didn't show any progress even by the end of TEG.

but im saying call it out, not resolve. i'd actually appreciate it if show made an effort of showing that such tendencies and lack of self-preservation aren't just resolved in a second, someone saying "stop being suicidal" doesn't magically fix everything. and yet, show still speedran things, especially given that events of the show happen in only 10 days instead of a year, and Lockwood's already made very aware of his reckless behaviour aka throwing himself in danger for people, and, what's even more questionable, for people he barely knows. which, again, contradicts his character and the way he navigates trauma.

these character and plot deviations and inconsistencies may not seem critical at first, but they might build over the course of the series and lead to a complete shift in overall narrative and spirit of L&Co as a story. which i wouldn't want to see as a fan.

to put it simply, i can see why fans want for show to be picked up for a second season, but i can't see how writers could make it coherent because they wrote themselves into a corner.

[goodqueenaly]

Hello! I love your meta about Aegon VI (I initially wondered what the point of him was and your meta really helped). I was wondering what you think Varys’ plan is for his perfect king in the long run? It won’t happen but if Aegon has a son and dies of old age, how can Varys guarantee that this son will also be a good king? Even if it’s successful, won’t Varys’ experiment only last one generation??

I don’t think Varys has a strict plan in place for every single king who would (so he hopes) succeed his Aegon, nor do I think it would be realistic to do so. Rather, I think Varys’ idea is less about guaranteeing the personality of every successive king and more about rethinking the training system of the (Targaryen) Westerosi monarchy itself. The focus of Varys’ speech to the dying Kevan (besides the propaganda elements) was to highlight the differences in education and experience between Tommen and his Aegon - with the key thesis being that “Tommen has been taught that kingship is his right”, while “Aegon knows that kingship is his duty”. This argument specifically undermines the importance of heredity as the driving developmental factor for a future king; in Varys’ ideal princely mode” (or at least the one he’s created for Aegon), the perfect king is one who is raised as a pseudo-commoner - not unaware of his great royal destiny, but more immediately aware of the struggles of his people.

So while Varys may not have specific ideas about how Aegon’s son or grandson or distant descendants would be raised to be good kings in their turn, I think he would believe that he’s reshaped the way in which princes are made more generally. If Varys’ theory proves him right, his training mode will have created the ideal king - a king, so Varys may hope, who would pass along such beneficial training to his own heir in time. (Of course, Aegon (and Arianne) will almost certainly not live long enough to have a song on which to test such a theory would hold true in a second generation.)

[pubbamoon]

Planetary Joys

Hello! It's me again! I hope you are doing well and if you're not, then I hope it will get better. Inspired by the one particular comment from one of my recent posts about the astrology misconceptions, I want to make a specific post about planetary joys this time. The point of this observation is to explain you why planets find their joy and function well in some houses. I hope you're gonna like it.

Firstly, I want to introduce you the Hellenistic astrology a little bit. Hellenistic astrology is a tradition based in the late Hellenistic period. The practice of this tradition started in the 2nd century BC in Mediterranean Basin, but it was mostly practiced in Egypt. The whole point of Hellenistic astrology is to describe someone's canon events and to predict what is probably going to happen in someone's life through someone's birth chart, not only to describe the person's personality and psyche. Hellenistic astrology is basically like a traditional tropical astrology, meaning that there's only seven planets present in every birth chart (from Sun to Saturn) and we use the Whole Sign system for houses. Forget about the asteroids (Chiron, Lilith, Ceres etc.) here in Hellenistic astrology. We use Hermetic lots in this type of astrology instead. But that's whole another story. In Hellenistic astrology, there's a thing called Planetary joys, meaning that planets find their joy in certain house and that's going to be the theme of this post. So, let's finally get into it!

Sun in the 9th house: The planet Sun finds its joy and functions very well in the 9th house. Both the Sun and the 9th house represent spirituality. The Sun represents pure intelligence, the knowledge we naturally have, which we didn't gain in school and seeing things as they really are. The Sun is a luminary, representing the light which lightens the day. The 9th house represents higher education, wisdom, religion, knowledge etc. Since the 9th house is connected to the Sun, the planet that represents light, father, authority, norms and how things should be, the 9th house is associated with the spirituality we seek beyond and the type of spirituality which is widely accepted, such as Christianity, Judaism, Buddhism, Hinduism, Islam etc.

Moon in the 3rd house: The planet Moon finds its joy and functions very well in the 3rd house. The Moon is also a luminary which represents the light and seeing this clearly. But, since the Moon lightens the night it's possible that there's hidden aspects or area of this planet. The 3rd house also represents spirituality, just like the previous house, but the 3rd house is mostly related with the type of spirituality we seek within and that is not very mainstream or widely accepted, such as magic, witchcraft, wicca, palm readings or even Tarot readings. The 3rd house also represents cousins we may not be aware of their existence. Have you ever heard that almost every celebrity from Hollywood has a 11th or 14th cousin, but they don't know that they're actually cousins? Although the Moon represents the light, it can also represents something hidden or uncertain in our life, as it illuminates the night.

Mercury in the 1st house: The planet Mercury finds its joy and functions very well in the 1st house. Mercury represents communication, unpredictability, adaptivity, logic, chaos, contradictory and it functions well in both day and night, while the 1st house represents the life itself. Communication is the key everywhere in life. In astrology, we interpret both the cosmos and the human's life. Mercury is the planet that is associated with astrology the most, because in astrology, we describe the movement of celestial bodies, interpret the planets, houses and aspects together to make predictions and give guidance. Mercury represents multitasking, doing everything at once and is the messenger in Roman mythology. Life is life a wheel of fortune, it is very unpredictable, chaotic and sometimes it doesn't make any sense. And if you wonder which planet represents the unpredictable area of your life where nothing makes sense, that's Mercury.

Venus in the 5th house: The planet Venus finds its joy and functions very well in the 5th house. Venus is a benefic and a positive planet, representing fertility, creativity, giving birth to a new idea or a life and the area of our life which favors us or works out in our favor. The 5th house is one of the most positive houses and is connected with Venus because the 5th house represents good fortune, privileges or good things that happen in our life, such as good circumstances, good health, wealth, children, fame etc. Having the 5th house placements might indicate being in a privileged positions, enjoying the life, going into great schools, having a nice car, being lucky that you don't have to work, doing something that fulfills us, having children or even getting the princess treatment.

Mars in the 6th house: The planet Mars finds its joy and functions very well in the 6th house. Mars is a malefic and a negative planet, representing war, violence, labor, taking forced actions, commanders, danger etc. The 6th house represents slavery, hard-work that leads to nowhere, misfortune, working class, challenges, bad things that happen in our life, bad circumstances, bad health etc. Having the prominent 6th house in our birth chart may indicate taking forced actions we don't want to take, but we don't have other choice, like working 9-5, getting a credit to buy a house, paying bills and something similar. It can also indicate going to not very nice school, having a bad car working a job that drains us and that we hate. Unfortunately, that's usually a story of almost every normal or average person.

Jupiter in the 11th house: The planet Jupiter finds its joy and functions very well in the 11th house. Jupiter is also a benefic and a positive planet, representing, luck, abundance and the area of our life that works out in our favor. It also represents the faith, morality, churches, schools, universities and all of the places where there's a lot of people coming together. The 11th house is one of the most positive houses in astrology, representing the success, victory, gains, good spirit or good things that happens in our mind. Jupiter is related to the 11th house because the 11th house represents the privileges in our life and the people that helps us to achieve our goals because they want us see succeed. Jupiter represents collectivity, while the 11th house represents friends and that's another reason why they're connected.

Saturn in the 12th house: The planet Saturn finds its joy and functions very well in the 12th house. Saturn is the most distant planet from the Sun, representing darkness, isolation, losses, marginalized people, outcasts, death and ending of a cycle. When there's the darkness, we cannot see things as clear as they are. The 12th house also represents isolation, losses and marginalized people who don't have a community, since the 12th house hides behind the 1st house which represents life. Having the prominent Saturn or 12th house in someone's chart might indicate someone feeling melancholic about their own limited life. That person may feel like a outcast or that they don't belong anywhere. It's a lonely path if you have the prominent Saturn or the prominent 12th house in your birth chart. There's a lot of mental battles coming with these placements, since the 12th house represents mental health.

Well, I guess that might be it. I hope you learned something new today. Keep in mind that this observation is related mostly to Hellenistic astrology. I don't think it is going to work in modern tropical astrology or even in vedic/sidereal astrology. Anyways, I hope you liked it. Have a great and successful week ahead!

Best regards,

Paky McGee

[vidavalor]

Hi @masnadies & friends! I don't really have a literal map, just an idea of where I think things are from what we've seen in S1 & S2. I love @mochacoffee's map & think that it makes sense that a ton of the space in the upstairs rotunda is shelves of books-- particularly, the bit visible from the main part of the shop downstairs-- but also that there are rooms up there, as we saw in S2. Aziraphale designed the shop as a space for him and Crowley so I think there's actually a lot of intentionality behind it. I've had some thoughts on this for awhile so I hope you all don't mind me sharing them here.

Some ideas on what rooms might exist and where they might be in the shop, how the threshold/invites work based on what we've seen, and what new room in the shop I would bet is going to be in The Finale. Also, what the story purpose in making the shop mysterious enough that we're having these conversations might be.

Design-wise, I think that the whole interior of the bookshop is built to look to any angels that might enter the front door like it's nothing but a bookshop that is a cover for the angelic embassy. Aziraphale only has the embassy so he can have the bookshop, which is really a cover for having as close to a house as Aziraphale had been able to manage while being a working angel. The way they are using the bookshop as a metaphor for Aziraphale (and for Crowley and Aziraphale) and its design tells us a lot about Aziraphale and his relationship with Crowley. What we have been allowed to glimpse of the bookshop-- and when, and in what order-- is very much intentional and part of both the design of the story and pf Aziraphale's design of the shop, imho.

In S1, the show uses the bookshop metaphor for Aziraphale by focusing more on Crowley's relationship with the bookshop than on Aziraphale's relationship with it. Each episode gives us more and more information regarding what level of access Crowley has to the shop that is symbolically Aziraphale as a way of slowly showing the audience the depth of the intimacy of his and Aziraphale's relationship.

In 1.01, we see Crowley feel safe for the first time in the episode when he and Aziraphale are in the bookshop. We see him on his couch, their familiar setup and being able to speak freely and have some privacy in the shop. Crowley's glasses come off for the first time in the minisode. It's the setting of the bookshop that helps to establish how close they are from the jump of the story. Each subsequent episode, though, begins to unfold that even more.

When the shop goes on fire, we find the doors will open for Crowley-- basically, that he has a key to Aziraphale's place. When Crowley goes back to the shop in Aziraphale's body during the body swap, we see him able to identify which books in the shop weren't there before Adam adjusted reality-- telling us that he spends so much time in the bookshop that he knows every detail of it. When he meets Aziraphale in the park afterwards, he tells Aziraphale that the bookshop is just as it was, with not a single smudge and everything in the same places that they always were.

While we just saw Crowley on the ground floor of the bookshop, this comment-- delivered while he's literally in Aziraphale's body, for fun symbolism-- is saying that Crowley has unfettered access to the entire bookshop and knows the whole place so well that he knows everything in it, everywhere, by heart, and could tell if anything was amiss in the shop. He knows his way around every room in the bookshop and has permission to go into any of them that he wants because they're basically his, too.

So... Crowley, while in the midst of the sexual metaphor that is the body swap, is seen telling Aziraphale that he went through their entire house and everything is fine, and this is not a conclusion that Crowley could have drawn without having gone into Aziraphale's bedroom-- and without being familiar enough with it to be able to tell if anything is amiss. This is the end of the steady progression of information about Crowley and the bookshop throughout S1 and it comes when they're in each other's bodies, ahead of the romantic Ritz finale.

In S2, we start to see a little more of the shop but what of it we see is reflective of the conflicts happening in the story, as it would be, right? First, we find out what's behind the door of the room behind Aziraphale's desk that remained closed in S1 and it's a subtle but potent reveal-- it's a room being used like a massive storage closet.

It's Aziraphale's actual backroom, not the office to which he brought Gabriel and Sandalphon in S1, which is built to be a place to which he can bring a visiting angel. This backroom is painted the color of Crowley's eyes and is a hodgepodge of random things that are being stored back here without a shred of the structure of the rest of the shop. While Aziraphale's bookshop is cluttered in a good way, that isn't what's happening in the backroom we see in S2. There's an open privacy screen in the corner that seems to be blocking off nothing. There's furniture and books just kind of pushed into the room-- random lamps. A chair just kinda stuck in there near the door. It's a storage unit, basically, and not a room that is in use, and it looks like it's holding things in limbo for a future that may or may not happen. It's stuff that belongs to he and Crowley that neither want to give away but that neither have room for in their lives at the moment. It's a total holding pattern of a room and Muriel bursting into it is literally the (literal) closet door being broken down by the supernatural cops, right?

In S1, the bookshop itself is essentially their closet but, as the supernatural characters like Gabriel and Muriel keep pushing further into the shop in S2, even as Crowley and Aziraphale wind up stopping hiding their relationship in S2, in the first half of it, we have this closet room representing them trying to try to find a space to talk openly in their own house during the chaotic week they're having.

Then, we see use of the home bar space in 1941 a bit, and this one is really interesting. While we saw this space in the present in S1 while Aziraphale was trying to figure out how to tell Gabriel about the antichrist kid mix up, now we see Crowley and Aziraphale using it and see that this table that Aziraphale keeps clutter on during the open hours is basically the dining room of the bookshop. It's positioned so that it's not in direct view from the front door of the bookshop-- just like how Crowley's couch is tucked away from immediate view of the door by the bookshelves.

If you look at the front of the shop-- everything between the front door and the cash register counter-- it actually does look like a little bookshop in its own right. The display tables and shelves and stacks of books along the wall. These are probably the books that Aziraphale can part with, if he absolutely must lol, and is really the only part of the shop that is truly the bookshop. Pretty much this bit below and the bookshelves where Crowley pulled the Jane Austen book that is on our right out of sight below:

Because the bookshop is metaphorically Aziraphale, I'm of the opinion that, technically, basically anyone can theoretically get through the front door. Humans are obviously kept away by locks and closed signs and restricted to business hours (whatever Aziraphale feels those are at any given moment lol.) The supernatural characters, though... The threshold, as Shax discovered in S2, is not actually the front door. Likely symbolic of how Aziraphale will give anyone a chance. The threshold is proven in both seasons to be the cash register counter-- the point at which what is meant to look entirely like a bookshop is really becoming Aziraphale's house, whether it seems that way to others or not. But, still, it means everyone can theoretically get into the entryway, right?

So, how do Crowley and Aziraphale have any privacy if the supernatural beings can all get through the front door?

Because they have found a way to exploit the angels and demons' dislikes of one another to get it.

Technically, the bookshop is an angelic space and an angel could demand entry to it and there's nothing Aziraphale could do but allow them to go wherever they wanted. This is the one weak spot because, while the demons won't want to deal with an angelic space and will just stay away, the angels are a different matter. Even if they cannot get past the cash register area without an invite, they need to believe like they have control over the space in order for Aziraphale to be able to keep it. So, why do the angels frequently turn up at the door asking to be let in, even if the vibes are very much that they feel it's sort of dumb that they have to ask and Aziraphale knows he has to say yes? Why don't they just go through the door?

Aziraphale out-psyched them, basically.

He told Heaven the truth-- the threshold to the shop is not the door but the cash register counter-- but he also told them that they were all going to make sure that the demons in Hell thinks the threshold is the front door. He told them that this is how they'll keep the embassy secure because, it being an embassy, they might have to allow a demon in during the daylight for spiritual counseling towards the light (the excuse for Crowley being seen sometimes entering the shop during business hours) but they can't just let a demon have unfettered access to a heavenly space-- that would be unseemly!

So, that's Aziraphale's argument for the threshold in the first place-- he needs control over the embassy space in order to protect it for Heaven and not just let these demons wander around in it unchecked. But he's made it so that Heaven thinks they're getting one over on Hell by making them think they're all in on the joke but that, for security purposes, they need to keep up the charade. They've all been told that they're supposed to go to the door for an invitation so that, if any demons are watching the place, they won't get suspicious that the door isn't really the threshold.

Crowley is keeping this going with the demons in S2, as well, when he leads Shax to think that the threshold is the door before she figures out he's lying during the bookshop attack. He also lies about his ability to invite people in, implying that only Aziraphale can, which we see later is untrue. Technically, anyone that Aziraphale has invited in can invite in other people behind them, which is how Maggie ended up inviting in all of the demons during the bookshop attack, and also why Crowley reminds Gabriel not to let anyone in when he rushes out of the shop after Shax while Aziraphale is in Edinburgh.

So, Aziraphale basically told Heaven that they all would know the truth, of course, that the threshold was the cash register but that they all wouldn't want the demons to find that out, right? That wouldn't be a very secure embassy. They need the demons to think that it's the same rules for everyone. Aziraphale's gotten them all to play along by making them go to the door and ask to be invited in, even though they could, technically, get in the front door and up to the cash register without an invitation. He's basically found a way to make them all ring the doorbell by exploiting their own prejudices against the demons.

This is shot now because, when Crowley and Aziraphale backed all the humans up into the living room, behind the cash wrap, Shax figured out that the door wasn't the threshold and tested her theory on poor Mr. Brown of Brown's World of Carpets, basically proving what we saw back in S1 when Gabriel and Sandalphon showed up.

They arrived when the shop was open and Aziraphale was busy inside with basically the only time in the series he has ever had customers lol and so there was no reason for Gabriel and Sandalphon to need to be invited in at the door because the shop was in normal business hours and it was Gabriel who was there. The rules of the other angels and demons wouldn't be seen as applying to him-- but they both did need an invitation to go any further than the cash wrap. Aziraphale brought them into his back office, which is a room he was willing to sacrifice to visiting angels as a way of seeming totally transparent and keeping them from wanting to search through the rest of the shop.

But, anyway, I think this is why the shop is built the way it is-- it's a house that is designed to pass as a bookshop so it can pass as an embassy-passing-as-a-bookshop, so that it can exist. Aziraphale has never really wanted to run a bookshop; he just wanted his books and a safer, home-like place he and Crowley could be together in. It's a bookshop just because Aziraphale has so many books and that made it the best cover for the fact that it's not really much of a shop at all-- just the front part of it is and Aziraphale has to fight to keep anyone from trying to buy any of the books that are in the other 95% of the shop, all of which are really his and/or Crowley's.

It's set up so that if the angels ever are just inside the front door before the cash wrap--or if they go only into the backroom where Aziraphale brings Gabriel and Sandalphon in S1-- that they're basically just seeing what looks like a bookshop. If they look up into the second-floor rotunda from near the door or most places on the ground floor, they just see a second floor of shelves of books that they can presume that Aziraphale is selling to the humans. It's not until we go up there with the characters in S2 that we see rooms exist up there... tucked out of sight from below. The further we press into the shop and the more we go around corners, the more we see that its design is intentionally attempting to hide what the real purpose of the bookshop is.

Aziraphale and Crowley cannot trust that there won't be some night when, idk, Sandalphon or Michael or somebody decides to just suddenly appear in the front part of the shop instead of knocking at the door. If they did, they wouldn't be able to physically go any further than the cash register counter-- but they could see into the shop from there. That seems factored into Aziraphale's design of the shop.

Aziraphale built it so that if he and Crowley were having dinner or wine at the table in the bar area like they were in 1941, Part 2 or if they were cuddled up on Crowley's couch, that they're around corners or otherwise obstructed from view enough that it gives them the opportunity to not get immediately caught should an angel blow past the established norms of entry and show up in the front part of the bookshop. The table in the home bar and Crowley's couch are both positioned so that a person cannot directly see them from the front door of the shop, which would buy them both time should someone show up in the shop. The place is built to make it so that no one can get past the cash register counter threshold and, even if they get past the door and into that space without Crowley or Aziraphale realizing it, they likely won't catch Crowley in the shop, no matter what time of day they show up.

So, the main floor bookshop space is visible to everyone but rooms that are more personal or that are hiding something from Heaven just by existing are buried a bit further into the shop or behind a door that has been right there the whole time but that the show is taking longer to open.

It wasn't until S2 that we saw into the private room in the back-- the closet, as the two of them were kind of trying to come out of it when it came to their relationship. It's also not until then that we get to go upstairs and, when we do, see that the spots that you cannot see directly from the door below have rooms. This is Aziraphale's private residence and even this? Is mostly set up to be able to deflect, should Heaven ever get up here. Have a real look at Gabriel's completely bizarre room here:

This is the unused bedroom of the bookshop, really-- not Aziraphale's actual one. It looks like a messy monk lives in here. One the size of a hobbit, apparently, because that bed could not get any smaller. This room exists basically in case Sandalphon ever shows up and demands a tour. Here's Aziraphale's room that he can claim he never really uses and just has for pretense or in case there's an emergency and someone needs to lie down. Nothing to see here, Stasi-a-Fond, just my tiny, dollhouse bed that I absolutely cannot fit in on my own, let alone with that six feet of legs demon! Jim's bedroom is as much of a closet as the back room downstairs is.

So, what lives down the little hallway on the ground floor, back out of sight? And, even better, what is the room at the top of the stairs to the left of Gabriel's bedroom? We were shown this door but it remained closed for all of S2. It is to S2 what the closed back room that we saw in S2 was to S1-- this door we saw a few times and then went into in the next bit of story.

Given its location in the shop-- conveniently at the top of the stairs and beside another bedroom-- it's likely that this is Aziraphale's bedroom. Unlike many, I think that Aziraphale does sleep. (I'm pretty sure Gabriel is wearing Aziraphale's pajamas in that "Jim's Mug" scene in S2.) Regardless of his sleep habits, though, he has other uses for a bedroom and I don't think it's collecting dust.

There are also some spaces in the vicinity of Jim's room that I think could be a bathroom, which Aziraphale could claim is necessary for customers, as you all have said above. Do his customers need the likely nice shower and that probable clawfoot tub? 😂 Not exactly, but Aziraphale likely would say fuck it and figure he'll come up with something if Heaven finds out. He can tell Michael he's baptizing people up there or something. I think that the lure of bath time with The Serpent is likely too strong to pass up.

We know there's a kitchen in there that Aziraphale was using for the literal portion of his baking in during Lockdown, which I think is probably what's located if you keep going past the private room and the home bar into that unseen space. See from where Aziraphale emerges in the bit below?

Nina, Maggie & Gabriel follow him into the room afterwards and they all seem to be coming from some place down the little corridor that leads further back into the shop. I'm pretty sure that's where the kitchen is. I think that's also the direction from which Aziraphale came when he brought Muriel tea in S2 as well. I'm sure it's very warm and cozy but I have a sneaking suspicion that it'd be a room we'd find surprising in its organization. It would be one of the rooms in the house that makes it pretty clear that Crowley spends a lot of time in the shop. I wouldn't be surprised if there are some-- gasp!-- plants in there-- potted culinary herbs, probably. He likes to cook for them sometimes.

I don't think it'd be super-necessary to show the kitchen but I actually think there's a chance we still might see it in The Finale largely because of the fact that I think we're going to flash back to the aftermath of Aziraphale blowing up his halo and briefly see some of what went down between then and the next morning-- namely, the convo with The Metatron that Aziraphale says the next morning took place, and the aftermath of that. If we go back to that night, we could see Aziraphale, Gabriel, Nina & Maggie talking in the kitchen. They also might cut that bit of it for the film but, either way, that's the area where it seems to me like the kitchen might be-- hidden pretty deep in the back of the shop, suggested to us but completely out of sight of Heaven.

If we consider that the bookshop is being rolled out to us slowly and in an intentionally incomplete way so far in support of a story that is doing the same... and if we then ask what big rooms remain that we haven't yet seen? There's really only the kitchen and Aziraphale's bedroom.

So, what haven't we seen in the bookshop yet ahead of The Finale?

The kitchen and Aziraphale's bedroom... food and sex. 😉 Not really terribly dissimilar things to these two...

It's been there all along but, as the story hits its end game, I think they'll likely reveal it a little more directly and, if they keep going with the way they've been using the bookshop to tell the story so far, they're going to use going into the previously unseen bedroom in the bookshop to do it. The one, new room we're getting for sure in The Finale is Aziraphale's bedroom-- likely circa 1941. It'll be clear that while it's the first time we're seeing it, it's a space with which Crowley is already plenty familiar.

Then, off to their South Downs Cottage where they can finally just have their own damn house without all of these shenanigans.

Speaking of the bookshop, theories on what could be upstairs?

ooooo the BIG QUESTION.

so we can see a bit of the second floor in all these pics:

basically all we know for sure is there are A LOT MORE BOOKS, both stacked around the railing and on the circle of shelves. neil has decided not to comment on what else might be there (YET 👀) but he’s confirmed that much.

apart from that, we can see from the outside that there are six windows on the second floor:

i’m going to assume they’re part of the shop because they’re Very On Fire when the rest of the shop is on fire. SO. taking all that into account, you end up with something like this:

where the thin grey circle is the railing and the brown one is the bookshelves (as you can see in the first pic, it doesn’t circle all the way around!)

the rest is a complete mystery. i mean i’m sure the actual set was empty because they didn’t need to fill it, but in theory there’s room for some interesting stuff! with the first floor for scale i can imagine a whole flat built around that circle of shelves — a bed aziraphale never sleeps in, comfy chairs, every other angel knick-knack he’s encountered in his life. in my personal headcanon it’s all books and hoarded items covered in dust, which he leaves for authenticity.

thank you for asking!! i’d love to hear other people’s thoughts if they want to share :)

[1toreyouapart]

The Lies We Tell

***FANFIC THAT INVOLVES REAL PEOPLE. 18+ ONLY. MDNI. DO NOT READ IF YOU DON’T LIKE FANFIC THAT INVOLVES REAL PEOPLE***

Summary that tells you nothing: Sometimes everything you ever wanted has been right there, within reach, all along.

CW/TW: Angst, fluff, swearing, friends to lovers, jealousy, smut, fingering, PinV, pet names, friends with benefits, more to come as I actually get things written out.

Masterlist

The Kiss

Dread settled into his stomach as he checked the time. Again. 9pm. Either she was coming home soon or she would be gone another six hours. Seemed these dates either went wrong fast, or they went well enough for her to go home with them. If she didn’t come home until the middle of the night, the sushi he had ordered and was sitting in the fridge would be a “surprise” lunch tomorrow, as usual. One thing he had learned about her the night they had met was her love of sushi. It was her comfort food. Stressed? She wanted sushi. Sad? Sushi was the answer. Just not feeling well in general? You guessed it, sushi. Unbeknownst to Quinn he had actually started learning how to make it just so he could surprise her with it. Maybe get her in the kitchen with him to make it soon.

She would get so frustrated, but he loved cooking with her. Always so serious in the kitchen, whereas he was always coaxing her into having fun with it. Having fun with him. Quinn had a tendency to take things too seriously sometimes. Making a mess in the kitchen? She hated that. Part of him kind of loved antagonizing her a bit. The way she would look at him as he intentionally spilled the smallest amount of something on the counter. And even after all this time she still hadn’t figured out that was his warning before he would start a full on food fight with her.

Another glance at the clock. 9:20pm. If the date had gone bad early on she would be home in the next 30 minutes. She never went too far from home for the first part of the date. And if she was headed to their place after the date, she always turned location sharing back on with him. Just like he had taught her. Always meet them at the location. Stay close to home in case of emergency, and always let someone know where she was going. The fact she hadn’t shared her location with him yet was driving him insane. Logically he knew they were still at the restaurant. Which he had the address of. But the illogical part of him said she had stupidly left the restaurant with this guy and was lying in a ditch somewhere.

The front door swung open, the sound of her shoes being kicked off and hitting the wall startling him. He hadn’t even heard her key in the lock. Noah quickly checked his phone, making sure he hadn’t missed her usual “On my way home” text. Nothing. Oh, fuck. That meant one thing. The date had gone so terribly he doubted even sushi and a movie could fix it. He didn’t dare look up at her, even. The last time she had come home like this and he’d done that she went off about how she didn’t need his pity.

Usually she went straight for the kitchen and brought back the sushi that she inevitably made him eat with her. This time, however, she flung herself down on the couch, her body stretching out beside him while her head found its place in his lap. This was new. Unusual. Had it really been that bad? Slightly terrified of what he would find he looked down at her, noting that while there weren’t any marks on her, at least not on her face, it was obvious she had been crying. Her makeup was smudged just so.

“Hey, baby. What’s wrong?” His voice was quiet. Calm in spite of the confusion and anger swirling inside him. What the fuck had happened?

“He spent the entire hour at the restaurant talking about how much money he makes and how cool his stupid fucking car is.”

Okay. He was right. Dude was a total tool. But that didn’t explain the state she came home in.

“What the fuck did he do?”

Guilt pierced him when she flinched at his raised voice, but he couldn’t stop himself. The thought that he had hurt her, that this waste of oxygen might have put his hands on her, was driving him up the wall.

“Quinn! What the fuck did he do?!” He pulled her up to sit in his lap, his hands wandering over her as he searched for injuries.

“He didn’t touch me, Noah.” She swallowed, finally meeting his eyes. “He made a gross comment about goth girls, and I ended the date.”

Relief surged through him and he clutched her against him, hugging her as tight as he could without hurting her. He took a deep breath, inhaling the scent of peaches that always clung to her. That scent had become home to him. Shit, she was home for him. This asshole hadn’t put his hands on her. At least there was that.

“He-he followed me outside. Told me good luck finding a man that would put up with me. And…Noah, he’s fucking right. Look at my track record. Look at how we met! I was some sad, heartbroken girl drinking her sorrows away.”

Quinn broke. Right there in his arms. His words from earlier rang loud as fuck in his head. Telling her she had shitty taste in men. Her broken sobs, muffled by his shoulder, shattered him into millions of little pieces. She had never sounded like this before. Not even the night they had met. No matter what happened she never broke like this. So he did the only thing he could think to do at that moment. He took her head in his large hands, lifted it off his shoulder, and pressed his lips against hers in the hope that he wasn’t making the biggest mistake of his life.

Tag: @collisionofyourkissmakesitsohard

[lazy-sixteen]

Daniil why would you say that???

Watching Pathologic (classic HD) while on break from suffering in Pathologic 2, and it really struck me how different the first meeting with the Bachelor was in each game.

Pathologic 1, well, only a screenshot can do it justice,

(Yes . . . far bit it from me to call myself a person of mystical inclinations. However, when I look at you, I get the feeling that nature is playing jokes on us. It is as if both the left and right hand have clutched the head to realize for the first time they are two parts of a single whole.

>Why?

>I get that feeling too. Does that mean that we are alike?)

That's like the first thing he says to the Haruspex, and while yeah everybody in Pathologic talks like that to a degree, even in game, in character that's a wild thing for Dankovsky specifically to say.

We just spent an entire playthrough as this guy mocking and/or having breakdowns over the existence of the supernatural - especially precognition. And in strolls this 6'2 resting murder-face dude with half-a-medical degree, widely thought to be a serial killer (kinda true), and Dankovsky's like,

"BTW, my heart is telling me we're kinda two halves of the same whole.😊❤️"

Absolutely hilarious. Even funnier is that the Haruspex, grumpy at baseline and currently having the worst day of his life (so far), can agree with him. Great first impression all around!

Then over in Pathologic 2, the Bachelor is high-key fumbling, like fumbling so hard you can get an achievement for it.

Carpetbagger - Remind a colleague of the Hippocratic Oath -- and fail

Not to meme on the guy (who is of course, multi-faceted and at his core deeply altruistic even if he often seems to have trouble expressing that on an individual basis), but initial Pathologic 2 Bachelor initial encounter is Daniel at his most prickly prick.

He gets Artemy's name wrong (possibly on purpose and definitely twice),

condescendingly demands the Haruspex be his errand boy,

basically calls himself the smartest person in a room of 2,

and can accidentally imply that he left a couple of orphan children to die because he doesn't treat mutts (he actually refused to treat the orphans' dogs).

Yikes - no wonder Artmey spends the first couple of Days taking cheap shots at the guy.

I mean in both Haruspex routes eventually he ends up very friendly with the Bachelor, which makes senses on a thematic level given the some of the Haruspex's major themes/ideals are connection and community. You could say their first meeting was changed to be funnier ("Vorakh") or more in character for the expected tension between two people under a lot of stress who can both be difficult to get along with at baseline

However, what about if we look at it from a meta-narrative level?

While you can play Pathologic 1 as either the Bachelor or the Haruspex on your initial run, it's pretty common knowledge who you are supposed to play first.

"Daniil Danokovsky's Fun Steppe Vacation vs. Artemy Burakh's Tormentous Nightmare" - HBomberguy in Pathologic is Genius and Here's Why

This means that the player in Pathologic 1 has already been introduced to Daniil - even if Artmey hasn't - and the game reflects that! You the player know the Bachelor, you've been him, and you probably got really attached after keeping him alive for 12 horrible, horrible days.

Even though you know he can be a bit sanctimonious and dismissive, the player knows he's rational and compassionate and thus already used the evidence at hand to figure out Artemy hasn't killed anybody!

Of course one of the first things you (the player) would want to do as the new protagonist is check on your former avatar, and the game rewards you for it! Talking with the Bachelor on Day 1 as Artemy can raise your reputation - which is super critical. It might be the increase that keeps you from getting hunted in the streets or starving as shops refuse to sell food. What a great first (Second?) impression!!

Daniil's unprompted "hey are we soulmates or is it just me?" line is funny, but meta-narratively it is also true. They are the player's first two avatars, taking turns being puppeted by the same you as protagonists through the same overall story to two opposing conclusions. They are (your) right and left hand. You've played Dankovsky, (you) know this and having previously been the protagonist this new Dankovsky seems to subliminally know this too.

Meanwhile over in Pathologic 2, the only route is the Haruspex - disregarding the Marble Nest (worst day of Dankovsky's life [so far, ad infintuum]) which has enough time fuckery going on that I shall disregard it for this analysis - you can only be Artemy Burakh.

Either under the assumption that the player of Pathologic 2 hasn't played Pathologic 1 or that they've played all of Pathologic 1 including Changeling' Route's extended murder hide and seek between Dankovsky and Burakh, We (the player and Artemy) don't know Daniil when we meet him in Pathologic 2 as anything but the broken man we saw in the depressing into.

Is he our friend this time? Is he our enemy? Whatever he is, he's certainly a sanctimonious prick.

(Today's tragedy won't be the last. I was blessed with a naturally high intelligence, and my observations indicate that a very deadly visitor has come to this god-forsaken town. That's all I can say for now.

>...I don't like you, Bachelor Whatever.)

In Pathologic 2, both the player and Artmey meet Daniil Dankovsky at at his worst, and slowly work-up from there because both of us are meeting, getting to know, and building a relationship with him for the first time.

This is actually parallel to how you first meet the Haruspex in Pathologic 1 as the Bachelor!

If you are playing in the intended order, both the player and Daniil don't know anything about Artmey besides the serial killer rumors, and likewise you meet him at his worst - (in prison and later he murders a young woman to get Daniil the infected heart he needs to try and develop a vaccine). Much like we see the worst of Daniil's classism, arrogance, and inability to connect beyond quid pro quo (hehe, latin) in our Patho2 intro; in Patho1 we initially only see Artemy's standoffishness, brutality, and stubbornness.

Interestingly, following Daniil's themes/ideals of transcendence and rationality we (the player and Daniil) don't actually end up connecting much with Artmey on the Bachelor's route. The player is influenced by the puppet, and why would Dr. Daniil Dankovsky - whose route is plagued by betrayal, manipulation, and the difficulty of connecting to even people who do selflessly care for him (like Eva) - make friends with a violent, possibly dangerous guy who practices a sort of medicine Dankovsky doesn't believe in?

(I couldn't find a good screenshot for this, but mentally insert a picture of Artemy doing a roadside dissection)

Basically if Daniil is the player's protagonist he won't reach out, because in-character why would he?

If Artemy is the player's protagonist, Daniil will try to be friends in Patho1 (because of the player's previous actions affecting both avatars) or in Patho2 Artmey will eventually connect with him because that's in-character for him.

Overall, I suppose this means that Danii's instant and uncharacteristic buddy-buddy attitude with Artemy on the Haruspex route Patho1 is completely justified from a meta-textually narrative, as is his horrific fumbling in Patho2.

And it is also very, very funny.